Challenges of rock and roll music in America in 1950s
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3 Challenges of rock and roll music in America in 1950s 2 Drugs and sex 3 Religion 3 Fashion 4 Expression 4 Conclusion 5 Works Cited 6 Student Name Professor Name Course Name Date Challenges of rock and roll music in America in 1950s The article is generally talks about rock and roll music in the 1950s. However, despite the fact that the youth especially teenagers found the music fascinating, the adults and people with Christian values found it to be less appealing and thought it had a negative impact on
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Table of Content
s
Challenges of rock and roll music in America in 1950s................................................................................2
Drugs and sex..........................................................................................................................................3
Religion....................................................................................................................................................3
Fashion....................................................................................................................................................4
Expression...............................................................................................................................................4
Conclusion...................................................................................................................................................5
Works Cited.................................................................................................................................................6
s
Challenges of rock and roll music in America in 1950s................................................................................2
Drugs and sex..........................................................................................................................................3
Religion....................................................................................................................................................3
Fashion....................................................................................................................................................4
Expression...............................................................................................................................................4
Conclusion...................................................................................................................................................5
Works Cited.................................................................................................................................................6
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2
Student Name
Professor Name
Course Name
Date
Challenges of rock and roll music in America in 1950s
The article is generally talks about rock and roll music in the 1950s. In order to learn more about
rock and rock, I researched from various sources and works cited are listed at the end of article.
Rock and roll is a genre of music which originated in America in the late1940s and early1950s
which was accepted and rejected in equal measure with regards to the audience. The music is
said to have evolved from drum beads by Africans and Celtic Folk music in Europe who had
immigrated to America. Alan Freed was responsible bringing the music in mainstream. The term
rock and roll is quoted from slang language of the African Americans in 1920s which was code
word for sexual intercourse. The music was further popularized by the fact that in the early
1950s it was featured in commercials, films and TV sound tracks. Back then, most of the rock
and roll artists were African Americans. The music was initially targeted for teenagers, poor
white folks and black ghetto youths. The entrance of the music was considered to be a major
revolution and upheaval in the music industry especially with the new technology in music what
could now be recorded in 33 and 45 rpm. However, despite the fact that the youth especially
teenagers found the music fascinating, the adults and people with Christian values found it to be
less appealing and thought it had a negative impact on the young generation and devalued their
culture and led to moral degradation at the time. The goal of the paper is to bring to light the
Student Name
Professor Name
Course Name
Date
Challenges of rock and roll music in America in 1950s
The article is generally talks about rock and roll music in the 1950s. In order to learn more about
rock and rock, I researched from various sources and works cited are listed at the end of article.
Rock and roll is a genre of music which originated in America in the late1940s and early1950s
which was accepted and rejected in equal measure with regards to the audience. The music is
said to have evolved from drum beads by Africans and Celtic Folk music in Europe who had
immigrated to America. Alan Freed was responsible bringing the music in mainstream. The term
rock and roll is quoted from slang language of the African Americans in 1920s which was code
word for sexual intercourse. The music was further popularized by the fact that in the early
1950s it was featured in commercials, films and TV sound tracks. Back then, most of the rock
and roll artists were African Americans. The music was initially targeted for teenagers, poor
white folks and black ghetto youths. The entrance of the music was considered to be a major
revolution and upheaval in the music industry especially with the new technology in music what
could now be recorded in 33 and 45 rpm. However, despite the fact that the youth especially
teenagers found the music fascinating, the adults and people with Christian values found it to be
less appealing and thought it had a negative impact on the young generation and devalued their
culture and led to moral degradation at the time. The goal of the paper is to bring to light the
3
social challenges of rock and roll in America in 1950. I will review some of the challenges and
give a detailed explanation in accordance to the works cited. The challenges are as follows:
Racism
Racism can be described as prejudice of individuals due to the color of their skin. In
the 1950s, racism in America was at its highest high. Whites believed they were superior to the
black Americans and there existed racial segregation (Kramer, 111). Rock and roll artists were
mostly blacks and the racist’s whites found it unacceptable since the music had a lot of white
fans. To add insult to injury, the music also brought together the American black and white fans
together despite there being racial segregation and this caused a lot of resentment towards the
music from the white racists due to its ability to break the barrier of racial segregation.
Drugs and sex
This genre of music was highly associated with this drugs and substance abuse
(Weinstein, 27-40). Most of the rock and roll artists were users of hard drugs and this was
evident as their life styles were now in the public domain. The life style had a spillover effect to
their fans that adored then and tried to copy their life styles. They also made recreation drugs
look more appealing to the youth. Drug abuse often led to sexual immorality; furthermore, the
artists were also associated with soliciting sexual favors (popularly known as groupies) in the
back stage and after shows in wild parties where they also abused drugs (Spracklen 14).
Religion
America in the 1950 was a predominantly Christian nation. The rock and roll artists
seemed to explore religion in their music by seeking to establish rock and roll as a religion with
their god (Luhr, 300). Most Christians also believed that the music was satanic especially due to
social challenges of rock and roll in America in 1950. I will review some of the challenges and
give a detailed explanation in accordance to the works cited. The challenges are as follows:
Racism
Racism can be described as prejudice of individuals due to the color of their skin. In
the 1950s, racism in America was at its highest high. Whites believed they were superior to the
black Americans and there existed racial segregation (Kramer, 111). Rock and roll artists were
mostly blacks and the racist’s whites found it unacceptable since the music had a lot of white
fans. To add insult to injury, the music also brought together the American black and white fans
together despite there being racial segregation and this caused a lot of resentment towards the
music from the white racists due to its ability to break the barrier of racial segregation.
Drugs and sex
This genre of music was highly associated with this drugs and substance abuse
(Weinstein, 27-40). Most of the rock and roll artists were users of hard drugs and this was
evident as their life styles were now in the public domain. The life style had a spillover effect to
their fans that adored then and tried to copy their life styles. They also made recreation drugs
look more appealing to the youth. Drug abuse often led to sexual immorality; furthermore, the
artists were also associated with soliciting sexual favors (popularly known as groupies) in the
back stage and after shows in wild parties where they also abused drugs (Spracklen 14).
Religion
America in the 1950 was a predominantly Christian nation. The rock and roll artists
seemed to explore religion in their music by seeking to establish rock and roll as a religion with
their god (Luhr, 300). Most Christians also believed that the music was satanic especially due to
4
their tattoos, signs and rituals performed on stage. Though not viewed as a competition for
Christianity it led to erosion of Christian morals and values. Thus, it led to rejection among the
Christian faithful.
Fashion
Before the emergence of rock and roll, the dress code in America was regarded to be
modest, descent, conservative and this was deemed to be the American culture. Emergence of
rock and roll brought with it a fashion of clothing which was especially popular to the people
regarded as low class such as bell bottom trousers, long beards, ornaments and piercings
(Feldman-Barrett, 30). This created a lot of disgust towards the lower class from the middle and
upper class that deemed themselves descent and this was accredited to rock and roll.
Expression
Initially the youth did have a voice or a platform to express their opinions. Despite
rock and roll being music, it afforded the youth a platform to speak out and also a platform for
exchange of emotions and ideas like black power and equal rights. This led to emergence of a
rebellious class of youth leading to a rebellious era which did go down well with the political
class (Pérez, 185)
their tattoos, signs and rituals performed on stage. Though not viewed as a competition for
Christianity it led to erosion of Christian morals and values. Thus, it led to rejection among the
Christian faithful.
Fashion
Before the emergence of rock and roll, the dress code in America was regarded to be
modest, descent, conservative and this was deemed to be the American culture. Emergence of
rock and roll brought with it a fashion of clothing which was especially popular to the people
regarded as low class such as bell bottom trousers, long beards, ornaments and piercings
(Feldman-Barrett, 30). This created a lot of disgust towards the lower class from the middle and
upper class that deemed themselves descent and this was accredited to rock and roll.
Expression
Initially the youth did have a voice or a platform to express their opinions. Despite
rock and roll being music, it afforded the youth a platform to speak out and also a platform for
exchange of emotions and ideas like black power and equal rights. This led to emergence of a
rebellious class of youth leading to a rebellious era which did go down well with the political
class (Pérez, 185)
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5
Conclusion
In conclusion, despite the positives like economic growth in the music industry and expression of
black rights, it also brought with it negative social impacts as highlighted above. Rock and rock
can be said was a form of movement in America in the 1950s. However the good outweigh the
bad and with time some of the changes were gradually accepted by society.
Conclusion
In conclusion, despite the positives like economic growth in the music industry and expression of
black rights, it also brought with it negative social impacts as highlighted above. Rock and rock
can be said was a form of movement in America in the 1950s. However the good outweigh the
bad and with time some of the changes were gradually accepted by society.
6
Works Cited
Bertrand, Michael T. "Tell Tchaikovsky the News: Rock'n'Roll, the Labor Question, and the
Musicians' Union, 1942–1968 by Michael James Roberts." Register of the Kentucky
Historical Society 113.1 (2015): 138-140.
Spracklen, Karl. "Sex, drugs, Satan and rock and roll: re-thinking dark leisure, from theoretical
framework to an exploration of pop-rock-metal music norms." Annals of Leisure
Research (2017): 1-17.
Weinstein, Deena. "Rock protest songs: so many and so few." The resisting muse: Popular music
and social protest. Routledge, 2017. 27-40.
Luhr, Eileen. "Cold War Teenitiative: American Evangelical Youth and the Developing World in
the Early Cold War." The Journal of the History of Childhood and Youth 8.2 (2015):
295-317.
Feldman-Barrett, Christine, and Andy Bennett. "“All that Glitters”: Glam, Bricolage, and the
History of Post-War Youth Culture." Global Glam and Popular Music. Routledge,
2016. 19-32.
Pérez, Richie. "From assimilation to annihilation: Puerto Rican images in US films." Latin looks.
Routledge, 2018. 174-195.
Works Cited
Bertrand, Michael T. "Tell Tchaikovsky the News: Rock'n'Roll, the Labor Question, and the
Musicians' Union, 1942–1968 by Michael James Roberts." Register of the Kentucky
Historical Society 113.1 (2015): 138-140.
Spracklen, Karl. "Sex, drugs, Satan and rock and roll: re-thinking dark leisure, from theoretical
framework to an exploration of pop-rock-metal music norms." Annals of Leisure
Research (2017): 1-17.
Weinstein, Deena. "Rock protest songs: so many and so few." The resisting muse: Popular music
and social protest. Routledge, 2017. 27-40.
Luhr, Eileen. "Cold War Teenitiative: American Evangelical Youth and the Developing World in
the Early Cold War." The Journal of the History of Childhood and Youth 8.2 (2015):
295-317.
Feldman-Barrett, Christine, and Andy Bennett. "“All that Glitters”: Glam, Bricolage, and the
History of Post-War Youth Culture." Global Glam and Popular Music. Routledge,
2016. 19-32.
Pérez, Richie. "From assimilation to annihilation: Puerto Rican images in US films." Latin looks.
Routledge, 2018. 174-195.
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