Essay | Operation and Development of Film in Britain

Added on - 18 Sep 2019

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Running Head: CINEMATOGRAPHYEXTENDED ESSAYThe development and operation of the film and televisionindustries of Great BritainSubmitted to the University of Hertfordshire in partial fulfillment of therequirements for the Degree of Bachelor of Art (Honors) Film and TelevisionProductionAbstractThis essay examines the operation and the development of the film and televisionindustries of Great Britain to understand the realism of the society and the working class
1representation in the contemporary cinema of Britain. Further, the essential works of thetelevision and the film production will be discussed along with the historicaldevelopment of the aesthetic forms and traditions, genres. Then, the development ofthe television and the film industry will be discussed along with the professionalconstraints and the requirements, framework of regulations, global scope, practices ofbusiness, audience and their consumption patterns. Furthermore, the present debatesin relation to the processes of narration along with the representation modes in the textof culture and media will be analyzed and evaluated. Then, the products in thetelevision and the film industry in the professional, global and historical context will beanalyzed. Also, sustained research of media in the practice of television and film will berealized and developed. Moreover, it is being observed that the social realism canenhance the film’s objectivity or through integrating with the aesthetic of art-cinema. Therealism should be considered to reflect and capture the factors of the social politicalframeworks which further creates the society.Student Name:Student Number:
2Extended Essay“The development and operation of the film and television industries of GreatBritain”The UK might fall underneath the shadow of the counterpart of Hollywood, but theworkers of British television and the film industry are the hot property and furtherrevered across the globe with the various blockbusters which are being produced by thefilm makers of Britain and are backed by the finance of US. Furthermore, it has beenobserved that the demand for the abilities and the skills of people working in thisparticular sector, the average income in the UK’s sector of production is approximately athird greater than the average income of the UK (Ashby, J., & Higson, A. 2013).Moreover, it is observed that the Riff Raff was a featured film which was produced in1990 for the Channel 4's film on four and was established with the aim of investing inthe independent films of the Britain along with the theatrical segregation after thebroadcasting on television. It was located on a site of construction in London whichfeatured casual workers transforming the building of hospital into the luxuriousapartments which was set in British’s Thatcher. It further created the references to thepolitics of government along with the rise in the market of entrepreneurial. The filmshowed that how the society of Britain is shifting from a welfare state to the economywhich is money driven (Blandford, S. 2007). Further, Loach came with another featuredfilm in 1994 i.e. Ladybird-Ladybird which combined the less particular environment withthe structure of narration which was drawn on the melodrama. This featured film gavethe sense to the audience about the docudrama by narrating a story based on a trueincident and also talked about the later life of the Jorge and Maggie. The other film wasStudent Name:Student Number:
3featured in the year 2004 i.e. Ae Fond Kiss which explored the politics of the simple lifewhich is being directed towards the conflict and the difference of the religions after the9/11 and further it took the form a love story among Pakistani Muslim entrepreneur andthe catholic Irish teacher.According to the analysis of the Christopher Williams, the history of the cinema ofBritain shows the various reputations along with the issue which has been featured inthe cinema of Britain. Further, the first reputation is being relied on the article of SatyajitRay, 1976, which compared the nature of cinema as a medium along with the nature ofBritish. An absence of engagement in the style of visualization or the elaboration whichfurther can be perceived as the inhibition of emotions (Brunsdon, C. 2007). The otherreputation is about realism, and it has been observed that the realism is beingdiscussed several times along with the many attitudes. For example, in 1950 realismwas being favored and in the year 1980, the realism was being dammed. The otherreputation is about is about quality which accused the cinema of Britain for the failure inorder to attain the sustainability. Moreover, the other reputation is about the socialattribute of the cinema of Britain as a whole which further expresses various themesdepending on the context of socialization. In the formation of the absence ofengagement in the subjectivity or the individuality. Further, these aspects can beobserved in the history of social realism of Britain.The movement of documentation the year 1930 created realism and the social attributeof the British cinema. Grierson used the approach of modernization for the making offilms by claiming it as an expression of personalization (Chibnall, S., & Murphy, R.2009). Further,Wollen stated that the major drift of the project of the Grierson was inStudent Name:Student Number:
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