Developing a Corporate Strategy for the Movie Exhibition Industry
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This essay evaluates the movie exhibition industry using Porter's five force model and suggests ways to achieve competitive advantage. It discusses the bargaining power of buyers and suppliers, threat of substitutes and new entrants, and rivalry among competitors.
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Running Head: BUSINESS RESEARCH BUSINESS RESEARCH
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2 Executive summary The main aim of this essay is to develop a corporate strategy for the movie exhibition industry (case 8). The purpose of this essay is to offers evaluation and make a suggestion to enhance the revenue of the movie exhibition industry. This essay evaluated that the movie exhibition industry faces tough competition due to different key market players. It is found that the bargaining power of buyer and suppliers are a strong and weak force in the movie exhibition industry. It is also discussed that the threats of substitutes and new entrants are high that may create hurdles for gaining the competitive advantages. This essay evaluated that there are different ways that could be used by theatres in the movie exhibition industry for gaining competitive benefits such as diversified operations, and licenses to trademark.
3 Table of Contents Overview...............................................................................................................................................3 Porter’s five force model.......................................................................................................................3 The bargaining power of buyers........................................................................................................4 Bargaining power of suppliers...........................................................................................................4 The threat of substitutes.....................................................................................................................5 Threat of New Entrants......................................................................................................................5 Rivalry among competitors................................................................................................................5 How can a company achieve a competitive advantage in this industry?................................................5 Conclusion of analysis:..........................................................................................................................7 References.............................................................................................................................................8
4 Overview Sale of a ticket for any movie theatres was the lowest priority since 1996. In the current era, the movie became a big entertainment factor hence organization should concentrate on it. It is stated that the corporate strategy of this industry was very slow that could negatively impact the overall industry of the firm. The corporate strategy that followed by movie industry was not updated with the time that declines the opportunity of getting positive outcome (Vergne, and Wry, 2014). Moreover, there are certain factors that are considered by this firm named home distance, convenience of parking, nearest restaurant, and parking facility. It is found that once a theatre implies any innovative theatre chain than it is easily adopted by others. One approach that differentiates each theatre is the cost, which could be relied on the investment cost of fixed assets. Apart from this, there is two factors that might influence the overall revenue of the movie theatre like sales of concession and tickets. Exhibitors of movie theatre were not managed the revenue and profits as these are imperative features. It is evaluated that attendance permits for getting profitable concessions and ads sales. The movie exhibitors could identify the imperative caps on the concession volume, and selling cost seems to have reached a maximum (Trigeorgis and Reuer, 2017).It is examined that both factors could directly impact on the overall price of tickets. It is evaluated that advancements in the home entertainment structure could facilitate to invest in their home viewing structure. Theatre industry is influenced by home entertainment systems. In 2004, technical advancement could directly impact new homes. It is examined that the higher price of movie theatre could negatively impact on the overall performance of the research outcome. It is stated that the movie exhibition organization becomes the largest retail spaces after shopping mall. In the current era, it could be a greater opportunity for the firm to get the favorable result by the movie theatre. This industry has upgraded in their system to get a favorable outcome. It is stated that motion pictures could also lead to increase the profitability of the firm. It supports to make illusion among consumers, as it would also create the possibilities of getting a favorable outcome. Moreover, motion pictures industry comprises of three different phases like an exhibition, studio production, and distribution (Hsu and Grodal, 2015). Porter’s five force model Porter’s five force model is imperative for the organization to as it assists to the firm to evaluate the internal factors that could influence to the movie theatre named bargaining power of buyer, bargaining power of supplier, the threat of new entreats, the threat of substitute, and rivalry among existing consumers. This tool could also lead to the firm to
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5 make a decision towards the competitive advantage in the movie industry (Waldron, Fisher, and Pfarrer, 2016).These are discussed as below: The bargaining power of buyers The viewpoint regarding the target market is not optimistic in the context of the movie exhibition industry as it will not be expanding as prompt as the whole population. Bargaining power of buyer is strong due to involving of the target market and different other factors such as undifferentiated offered products and moving towards the alternative could be simple and needs of minimum expenses and customers can watch the film as well as can stay at their home. The customers are complaining regarding the concession and ticket expenses and advertisement before showing the film (Gehman and Soubliere, 2017).Along with this, the bargaining power of buyer in the movie theatre industry is strong while it comes to larger chain theatre brands like AMC, Regal, Carmike and Cine mark because there is low switching cost. There is small difference amid these theatres because a large number of theatres provide offers on a showing of the new film on the same price and same facilities like video quality, sound quality, seating, and concessions.Purchasers are highly priced sensitive and not loyal with regards to particular brands. Customers will select the theatres that will provide the best prices in their movie times (Ullah and Ahmad, 2017). Bargaining power of suppliers The bargaining power of suppliers is weak because of economies of scale on the concession side. Theatres earn a high amount of profits on concession so they can use their power in order to decline the cost from suppliers. They also make the agreement with the theatres as well as communication regarding the percentage of box office revenue that they will get. There are different distribution corporations are combined with the production studios as the requirement of distribution is declining with the adaptation to digital. It leads the suppliers for strong bargaining power (Tang and Wezel, 2015). With respect to the movie industry, the bargaining power of suppliers i.e. film distributors have the competency to decline the profitability of theatre by increasing the costs and declining the quality. When suppliers compare the number of movie theatres to the number of movie studios producing new films in the movie exhibition industry then there would be a high amount of movie theatres as compared to movie studios hence new films could be debuted at their locations. Because a high amount of revenue is created while a movie is first released. Because of this fact, liaison with the suppliers is highly significant for the movie exhibition business (Keuschnigg, 2015).
6 The threat of substitutes The threat of substitute would be high due to the competitive pressure faced by the movie exhibition industry. Not only they are beating each other but they have to compete with each leisure practices that a customer has to select from. The threat of substitute product in the movie exhibition industry is medium to high. It becomes one of the largest issues for the movie theatre industry. It could be complex for recreating the environment of a movie theatre, and equipment of home theatre as rates are quickly dropping because there are a high amount of customers who create their own version of home cinema (Grodal, 2018). Customers are also spending into the home theatres rather than having the equipment. Furthermore, cost of all the elements falling the customers hence they may find the attractive alternative for theatres. The customers can come into theatre due to location, what the dining alternatives are nearby, and quality of sound and seating. DCIP has developed a financing model in amid these movie exhibition theatres as well as different motion picture studios are used to build digital projection and sound systems in theatres (Hofmann, Clement, Völckner, and Hennig-Thurau, 2017). The threat of New Entrants The barriers to entry into the movie exhibition industry are high. There are different competitors in terms of sheer number outpace in any new entrant. The profitability level relies on the economies of scale. Being a medium to low venture of profitability, this industry is not a very lucrative one for penetrating unless the company targets a niche environment. Theatre chain i.e. iPik is a classic illustration of the movie exhibition industry. They have distinguished themselves from the wider range of chains, provides a luxurious experience, small target market and commands the higher profitability (Seong and Godart, 2018). Rivalry among competitors The external threat for the movie exhibition industry in very high. In addition, studios are stealing that sacred territory of exclusivity by initiating video-on-demand and declining the gap amid DVD releases and movie. It can be attributed to the changing requirement of the customers. The increase of streaming options like Hulu and Netflix has further bitten into the share of the exhibitor of the pie (Miller, et al., 2018). How can a company achieve a competitive advantage in this industry? For this movie exhibition industry, few simple steps are considered by them to meet their targetedgoalandgetcompetitivebenefits.Firstly,theorganizationshoulddetermine competitive benefits and make a favorable result. The competitive benefit is determined as resources and capabilities of the firm that facilitates to decline the competitive forces for the
7 industry and support to make a favorable result. The organization should also use an innovative way by which organization could develop competitive benefits as it could be possible by considering the cultivate good content. Moreover, it is also examined that nearly movie theatre offers the same movie at the same time then it could also influence the overall outcome of the study (Hennig-Thurau and Houston, 2019).Another business strategy is outstanding customer experiencethat could be imperative for the accomplishment of the organizational task as it could lead to getting higher competitive benefits. The customer experience could be something, which cannot be mitigated by the market players. In addition, it is examined that current experience is customer experience in the movie theatre. It is examined the there are certain factors that could increase probabilities of getting a favorable outcome. These are thecomfortable atmosphere, the price of tickets, concession on tickets, and distance of movie theatre.The time duration of interval could also influence the consumers for revisiting in the same movie theatre. It is evaluated that the organization could determine the growth of sale by determining their operation. It is evaluated that theatres could imply diversification strategies and manage the flow of cash in the industry for making a reliable decision in favor of organization. In addition, it is examined that theatre chains should determine locations as well as the cost to increase the sale of the organization. There is a certain organization that deals with any locations in the current time and gets higher competitivebenefitsnamed Missouri, Minnesota,Arkansas, Kentucky,and Alaska. In addition, it is examined that the organization should consider the demons of consumers and afterward make any decision. Moreover, it is examined that organization should also increase the sale of the firm by considering the innovative tools and techniques for making a favorable decisionandoperatethebusinesseffectivelyinthemarketplace(Hennig-Thurauand Houston, 2019). With another viewpoint, different theatre chain has the same amount of one market with respect to theatre locations and screens, California. In addition, California is the third biggest state in the nation, these theatres can deliberately combine the operation for creating the larger outside theatres in their busiest places. Once these corporations have declined their long-term obligations and more focus required to be placed on growing China. Along with this, AMC provides the licenses to its trademark to two theatres within the nation, but brand presence can be increased as customers can increase the demand with respect to digital movie projection(Seong and Godart, 2018).Moreover, Cinemark could be successful in Latin American nations and can demonstrate that they would have the competency to transition the business model. It would lead to gain competitive advantages. In addition, Cinemark can now
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8 move into the Asian Pacific market, specifically into China. It can be further expanded for global presence(Seong and Godart, 2018). Conclusion of analysis: From the above interpretation, it can be concluded that there are different reasons for moving into the movie exhibition industry. It can be summarised that the bargaining power of the buyer is strong, and the bargaining power of suppliers is weak in the movie exhibition industry. In addition, it is evaluated that there is high rivalry into the market and threat of substitutes and new entrants are high in this industry. It can be summarised that there are differentwaysfor gainingcompetitiveadvantagessuch aslicensestotrademarkand diversified operations.
9 References Gehman, J. and Soubliere, J.F., 2017. Cultural entrepreneurship: from making a culture to cultural making.Innovation,19(1), pp.61-73. Grodal, S., 2018. Field expansion and contraction: How communities shape social and symbolic boundaries.Administrative Science Quarterly,63(4), pp.783-818. Hennig-Thurau, T. and Houston, M.B., 2019. Entertainment Product Decisions, Episode 2: Search Qualities and Unbranded Signals. InEntertainment Science(pp. 313-367). Springer, Cham. Hofmann,J.,Clement,M.,Völckner,F.andHennig-Thurau,T.,2017.Empirical generalizations on the impact of stars on the economic success of movies.International Journal of Research in Marketing,34(2), pp.442-461. Hsu, G. and Grodal, S., 2015. Category taken-for-grantedness as a strategic opportunity: The case of light cigarettes, 1964 to 1993.American Sociological Review,80(1), pp.28-62. Keuschnigg, M., 2015. Product success in cultural markets: the mediating role of familiarity, peers, and experts.Poetics,51, pp.17-36. Miller, D., Amore, M.D., Le Breton-Miller, I., Minichilli, A. and Quarato, F., 2018. Strategic distinctivenessinfamilyfirms:Firminstitutionalheterogeneityandconfigurational multidimensionality.Journal of Family Business Strategy,9(1), pp.16-26. Seong, S. and Godart, F.C., 2018. Influencing the Influencers: Diversification, Semantic Strategies, and Creativity Evaluations.Academy of Management Journal,61(3), pp.966-993. Tang, Y. and Wezel, F.C., 2015. Up to standard?: Market positioning and performance of Hong Kong films, 1975–1997.Journal of Business Venturing,30(3), pp.452-466. Tang, Y. and Wezel, F.C., 2015. Up to standard?: Market positioning and performance of Hong Kong films, 1975–1997.Journal of Business Venturing,30(3), pp.452-466. Trigeorgis, L. and Reuer, J.J., 2017. Real options theory in strategic management.Strategic Management Journal,38(1), pp.42-63. Ullah, M. and Ahmad, H.M., 2017. The Impact of Internal Marketing on the Organizational Performance through Organizational culture Mediation.Abasyn University Journal of Social Sciences,10(1). Vergne, J.P., and Wry, T., 2014. Categorizing categorization research: Review, integration, and future directions.Journal of Management Studies,51(1), pp.56-94. Waldron, T.L., Fisher, G. and Pfarrer, M., 2016. How social entrepreneurs facilitate the adoption of new industry practices.Journal of Management Studies,53(5), pp.821-845.