Film Form and Analysis: Citizen Kane and its Impact on Cinematography and Film Noir

This article explores the impact of Citizen Kane on cinematography and film noir. It discusses the use of lighting and mise-en-scene in the film and how it influenced future films. The article also delves into the historical significance of the film's use of light and shadow. Subject: Film Studies, Course Code: N/A, Course Name: N/A, College/University: N/A

Running head: FILM FORM AND ANALYSIS
FILM FORM AND ANALYSIS
Name of the Student
Name of the University
Author Note

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FILM FORM AND ANALYSIS
It is rather a debatable subject whether Citizen Kane is the greatest film ever made. There
have been numerous verbal confrontations and complex cases. It is one of the movies which
make the gathering of spectators to consider how the film capacities, both to the group people
and inside history and society. It is tied in with cognizance, deconstructing, feeling and
acknowledging what the film addresses. It describes the story of lost youth, human deformities,
memory and the complexities of impact and wealth. What influences the movement to picture
fundamental is that it is an objective arranged errand by a nonconformist film maker and had an
extensive measure of show around its release. The makers of Citizen Kane had the versatility to
play and progress. Innumerable specific fundamentals changed the way film was being utilized
as a depicting medium – which clearly could be another approach to manage depict a decent
film. An immense measure of movements anticipated that would do with cameras. The
cinematographer of the film, Greg Toland, helped pioneer the utilization of critical concentration
focal concentrations so with the target that everything in a scene is in concentrate instantly, not
only the forefront or the foundation (Gibaja and Ventura, 2015). The film does not use focus to
oversee thought in scene. As opposed to that, talked or improvements draw in the eyes to
particular people at particular conditions. It is especially like theater, where Orson Welles had
honed his organizing and acting divides. The film uses much perspective to stun the gathering of
spectators, to irritate the resources when Kane is seen walking around a conventional looking
establishment, just to be eclipsed by a colossal window. It emphasizes the story with a little
moral story, when the gathering of spectators sees the man physically pull back in his condition
as he is losing control of his wealth, business and life.
The scene as appeared in the video is a pivotal piece of the film. The cinematography is a
standout among the most discussed theories incorporating the film similar to the aesthetic

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credibility. The point of convergence of the film's genuineness is a significant focused
cinematography and the lighting. The significant focuses and the long take styles were truly
made from Orson Welles ask for credibility. He required the group to be unmindful of the
consistent with life mechanical get together by making scenes that would truly stream together
enigmatically without the necessity for bury countering. Remembering the true objective to grasp
the lighting effect of the film, Orson Welles made a significant measure of changed which
extremely influenced the group and the film sorts as a rule. Before the landing of Citizen Kane,
lighting were used as a piece of a lot of motion pictures in any case Welles used the strategy for
lights and shadows not as a medium of need yet rather to give a particular criticalness to the
scene and its air including it (Arthur, 2013). By using light as a mean of verbalization, he used
lighting to implant the watchers with sentiments of needing for additional. In scenes that
component traces and the structure of the hands moving, with the most ideal utilization of the
light which were extremely used. The scene which has been discussed in the circumstance can be
shot in an extensive variety of ways yet still have a comparable significance to it. Orson Wells
used the techniques for a strong establishment and lighting to put the characters most of the way
in shadow. By using blueprints and charts it made the entire scene more exciting than it is
(Meehan, 2017). In the beginning of the film it can be seen when the news of the death of
Charles Foster Kane was revealed, the camera was moved to the all inclusive community behind
the newsreel. This procedure has inspected how the newsreel has no advancement and did not
have anything new to offer the gathering of spectators (Tiller, 2017). Welles passed on the
gathering of spectators that not to base on the reports yet fairly revolve around who these
characters are. By this procedure, Orson Welles kept the watchers captivated when he base on
the guideline character and left the side characters in shadow. This message can be passed on

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FILM FORM AND ANALYSIS
like that the character as a physical being was not basic yet rather their aims extremely matter
since that is the thing that that picks up the story ground.
The chronicled central part of the utilization of light and shadow used as a piece of
Citizen Kane opened the vision of the creators. This helped the point of confinement of lighting,
and different ways to deal with oversee use cinematography to help the substance of the
photograph. Going before that advance from using light as a need to using it expressively to pass
on significance and set up air should be given as much request to the degree the course toward
making film both as an industry and an artful culmination (Neve, 2015). This prepared for him to
take films to the join level by opening the approaches to manage potential results. In the late
nineteenth century Thomas Edison built up the light, and in 1941, Orson Welles used this fake
light joined with standard light to ask about what light could do to refresh the medium that took
much improvement to accomplish its present status (Kolker, 2015). These improvements merge
changing shots to design a story, using synchronized sound, trading to shading are just a couple
of essential advances that made film as medium. In any case, there are varying sections that are
offended, yet legitimize as much affirmation since the sudden progress in lighting that was
proficient in 'Subject Kane' helped make film an uncommon medium specific from theater and
distinctive indisputable explanations. Subject Kane clearly helped in doing everything
considered and the reason for that being is in light of the way that Orson Welles was given
completed innovative control over the film by RKO studios. The chronicled centrality of the use
of light and shadow utilized as a bit of Citizen Kane opened the eyes of makers. This helped the
cutoff of lighting, and different ways to deal with oversee use cinematography to help the
substance of the photograph. Going before that advance from using light as a need to using it
expressively to pass on significance and set up air should be given as much confirmation the

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FILM FORM AND ANALYSIS
degree the course toward making film both as an industry and a diamond (Neve, 2015). This
helped him take movies to the join level by opening the approaches to manage potential results.
In the late nineteenth century Thomas Edison built up the light, and in 1941, Orson Welles used
the system for fake light joined with general light to examine what light could do to overhaul the
medium that took much improvement to accomplish its present status (Kolker, 2015). These
improvements merge changing shots to design a story, using synchronized sound, trading to
shading are just several fundamental advances that made film as medium. Notwithstanding, there
are undeniable areas that are disregarded, yet legitimize as much request since the sudden
progress in lighting that was refined helped make film an emerge medium specific from theater
and diverse different articulations.
Film noir is the pioneer art among the most discussed writes inside the medium for it
combines various parts from various classes yet has an outstandingly correct style and mise-en-
scene. Precisely set lighting to build up a specific viewpoint and environment can be taken after
back to early German expressionistic motion pictures of the mid 20's and 30's. The extensive

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FILM FORM AND ANALYSIS
section of these horror based movies like 'Nosferatu', 'M', and 'The Cabinet of Dr. Caligary'.
While these notable movies started before the film to the degree utilizing shadows to have a
specific air influence on the watchers, Citizen Kane was the first to utilize mise-en-scene in the
same expressionistic route in a film that has nothing to do with animals, killers or film creatures
(Leonard, 2014). The way that Orson Welles adjusted this style and upgraded into a kind film
supported in it persuading the chance to be a champion among the most uncommon and tempting
motion pictures whenever made. It impacted film noir and can be credited with setting the basic
traditions of future film noirs. Most film intellectuals consider 'Outsiders on the Third Floor' to
be the fundamental film noir; in any case, it was not till multi year later that RKO discharged
‘Citizen Kane' which made traditions that are starting at now show in by and large every film
noir motion picture in the praiseworthy period. To see the resemblances between the film and
each film noir motion picture that tailed one needs to rediscover the essential traditions found
inside the class.

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REFERENCES
Arthur, P. (2013). Murder’s Tongue: Identity, Death, and the City in Film Noir. In Violence and
American Cinema (pp. 161-183). Routledge.
Gibaja, E., & Ventura, S. (2015). A tutorial on multilabel learning. ACM Computing Surveys
(CSUR), 47(3), 52.
Grant, J. (2013). A Comprehensive Encyclopedia of Film Noir: The Essential Reference Guide.
Limelight Editions.
Kolker, R. P. (2015). The Cultures of American Film. Oxford University Press.
Leonard, G. (2014). Did Film Noir Really Happen, or Was It a Set-up?. Film International,
12(1), 6-11.
Meehan, P. (2017). Tech-Noir: the fusion of science fiction and film noir. McFarland.
Monica, I. L. I. E. (2014). Film Noir and Femme Fatale. A Contemporary Perspective.
Cinematographic Art & Documentation, 18.
Neve, B. (2015). The Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu. University
of Wisconsin Pres.
Ormsby, K. P. (2016). Orson Welles. Shakespeare Bulletin, 34(3), 491-495.
Tiller III, J. S. (2017). The Use of Film to Influence and Promote Generational Change in the
Post-War Era.