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ACKNOWLEDGEMENT
The motivation when I started working on this thesis is not only because Gone Girl cross over
social psychological and media are what resonate me, but also because of many people who came
across my university life. Each of them left pieces of themselves in my mind which in a way,
inspiring my writing. Therefore, this paper is dedicated to everyone who have supported me
throughout this journey since the very beginning, with my deepest, sincerest gratitude:
First of all, I would like to express my gratitude to my dear supervisor and Professor YOSHIDA
Kaori, Professor LANGLEY Raymond, and Professor SEVIGNY Paul, this paper could not be
completed without your thoughtful, constructive comments and discussions. Your opinion and
cheerful spirit has helped me a lot in shaping this thesis as well as many other helpful lessons! To
be honest, without your generosity, intellectual humor and kindness, I could not succeed in
overcome this painstaking process of writing a thesis.
I ostensibly thank NGUYEN Nhu Ngoc, DUONG LE Duc Minh, NGUYEN Phi Hoang Hac,
PHAM Cong Minh, YOKOSE Takuya, NGUYEN Thuy Linh, LAM Yen Nhi, NGUYEN Le Khanh
Linh, VU Quoc Hanh, NGUYEN Trong Nghia and sempai NGUYEN Phuoc Quy Tuong for being
the warmest squad of encouragement, and for constantly cheer me up whenever I procrastinate.
Also, I want to credit BigBang, DonDonTei crews and my Yoshida’ Seminar fellows, for being one
of the biggest sources for mental support.
And, PHAM Thanh Tung, you will always be a visual representation of what I once dreamed we
would be.
Last but not least, to my Mother and our family: thank you so much for never stop putting effort
and hope on me, without your endless love and support, I would not be who I am today, to come
this far and to meet all these wonderful people!
PHAM Hoai Anh (Chelsea)
Beppu, 2017

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