Minnesota Orchestra: A Memorable Concert Experience
Verified
Added on 2023/06/15
|4
|1032
|300
AI Summary
This article describes the unforgettable concert experience of Minnesota Orchestra, including the music style, textures, and instruments played. It also explores how the artists' emotions were expressed through music and how the concert left a lasting impression on the audience.
Contribute Materials
Your contribution can guide someone’s learning journey. Share your
documents today.
Surname1 Name: Professor: Title: Date: Minnesota Orchestra The concert held at Minnesota will always reflect vividly in my mind. It was one of the best concerts I ever attended in my life. Much gratitude and acknowledgement goes to Dr.Lev Koblyakov who used skills to instruct the progress of the convert. Based on the level of presentation, it was very clear that Minnesota Orchestra provided a rewarding journey in music industry (Zarrilli et al. 196). Osmo Vanska managed to apply skills, passion and dedication to conduct the Minnesota Orchestra. The music concert performed at Minnesota was just fantastic since different artists played different music instrument that made the audience to feel impressed. There was a lot of anxiety, tension as well as grief that coursed through the air of American Cities when people realized Minnesota Orchestra would perform music concert. A lot of people came to witness voices and ability to play music instrument by a number of artists across America. The efforts of Jean Sibelius, Peter IIyich Tchaikovsky and Ludwig Van Beethoven made Minnesota the best place to process feeling on 12thNovember 2017. They managed to play music instruments such as piano, trumpets and horns during Minnesota Orchestra concert that was held at Minneapolis’ Orchestra Hall where Minnesota Orchestra and music conductor Osmo Vanska demonstrated eloquently the ability of Gustav Mahler to perform music lyrics (Desmond and Hawkes 218-222). The sixth Symphony of Gustav Mahler demonstrated his ability to understand emotions that he expressed in a quintessential dark night of the soul. The music style applied by Minnesota Orchestra was an “old music style” that involved recording nine Beethoven symphonies and Bis label. This music style also produced the third, eighth and ninth symphonies that were released after fourth and fifth symphonies. This style managed to create emotional extremes that located beauty amid its laughter, sadness as well as triumph in its tragedy. The style was complex but managed to provide comfort as well as commiseration to the audience.
Secure Best Marks with AI Grader
Need help grading? Try our AI Grader for instant feedback on your assignments.
Surname2 Other aspects of Minnesota Orchestra that lingers vividly in our minds are textures and music instrument played during the concert. These aspects involved activities of clarinetist Claudio Puntin as a composer as well as orchestra called ‘Aroma’ (Allain and Harvie 105-120). This produced the best texture in the music since the styles used hypnotized with a haunting opening. The application of electronically produced echoes made the songs to be heard from different directions. Other music instrument used in Minnesota Orchestra concert included piano, horns, trumpets, clarinets, tuba and piccolo. It was my first time to see these instrument being played altogether in a song. This was very impressive how those instrument worked. They also applied keyboard and all the three layers of the keyboard worked so well to bring rhythms. I could see the pedals of a keyboard working properly though it was complicated as a calculus math problem. Voices in the song sounded so well due to efforts provided by several soloists. The melodies used in those songs were just impressive. They were great melodies applied by Minnesota Orchestra. The key components that would be pointed out in those songs include mood of the songs, rhythms, communication, repetition as well as element of surprise. Symphonic songs in Minnesota Orchestra applied gallop rhythm that became unforgettable melody (Knowles 24). These songs applied different voices. The simultaneous lines of independent melody. This was well demonstrated in the first and second violins, violas and cellos. In that case, it was clear that the melody applied in these songs was a polyphony as opposed to monophony where musical texture involves a single voice. From the concert, I managed to draw critical remarks from the main impression of the music. Music industry has managed to bring comfort to different scopes of people. Music has ability to address issues vividly through intriguing emotions and feeling (Chopra-Grant 43). Emotions of happiness, sadness and tragedy are expressed by different song of Minnesota Orchestra. In that case, artists have managed to drive their motives home. None of the drama permeated grief via musical confrontation with mortality. Thus, the performance sacrificed unremarkable gravitas (Corrigan 16). The concert by Minnesota Orchestra was an event to be remembered by all those who attended. From my point of view, this concert was very impressive and the performance was excellent. The way different experts played music instrument demonstrated unquestionable ability to work as a team when producing different melodies of those songs. In summary, the
Surname3 concert was successful and many people were satisfied. I could hear some people asking the venue of the next concert so as to prepare in advance. The epic was unleashed with many songs, showcasing of different soloist who created polyphonic texture. It was impressive that each section of Minnesota Orchestra demonstrated a tight-knit team.
Surname4 Works cited Allain, Paul and Jen Harvie.The Routledge Companion to Theatre and Performance.London: Routledge, 2006. Print. Chopra-Grant, Mike.Cinema and History: The Telling of Stories.New Yolk: Wallflower, 2008. Print. Corrigan, Timothy.A Short Guide to Writing about Film. 8thed. Boston: Pearson, 2012. Print. Desmond, John M. and Peter Hawkes.Adaptation: Studying Film and Literature.Boston: McGraw, 2006. Print. Knowles, Ric.Reading the Material Theatre. Cambridge: Cambridge UP, 2004. Print. Zarrilli, Phillip B., et al.Theatre Histories: An Introduction. 2nded. New Yolk: Routledge, 2010. Print.