Modern Architecture Assignment Report

"ROLE OF ZAHA HADID IN THE MODERN ARCHITECTURE",
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INTRODUCTION
Most of the iconic architectural work which has been considered to be an existential foothold is
currently at the forefront of most of the cities in the world. Since its self-conscious inception as a
discipline of innovative design in distinction to the tradition-bound building as far as
Renaissance is concerned, architecture has shown greater aspiration to improve day by day. This
implies that the concept of architecture being the aggressive field aiming at achieving human
comfort can be said to be as old as the discipline of architecture (Kurnia 2019). Zaha Hadid
other than being famous worldwide was probably considered to be the most influential architect
of the present times.
Several buildings have come to be used in the identification of specific places are nowadays
refered to as iconic structures of architecture. Today, majority of the human population live in
the change characterized era. The era is also characterized by very high technology as well as
instability. These factors have been found to give rise to the opportunities which allow for the
development of at least every sector in ways which are unprecedented. The stunning design
which has been used in such kinds of the iconic architectural works serves to benefit the society
in which there is emission of energy. Cities in the world as wells as architecture in general have
assumed innovative ways of having their philosophy as well as configuration expressed
considering the changes which are happening in the world today. There have been technological
advances in the past few years in the case of the building structures. This has extended to those
materials which are much privileged in terms of their properties like ease of configuration,
flexibility, elasticity, and rigidity as well as appearance beauty. Such kinds of the facilities have
been found to make majority of the architects to be more creative and innovative in their

activities of design without necessarily fearing the challenges which they may encounter in their
processes of the design.
Consequently, there is new trend in architecture that has since been recognized as the motive to
embrace modernism. It is called Deconstructivism. The concept of the Deconstructivism has led
to objects design as if they are meant for the planet earth. The design has been characterized by
non-geometry, antigravity as well as complexity (Elgohary 2018). The concept of
Deconstructivism became more pronounced around the period of 1988 where it was utilized in
the case of the Museum of Modern Art (MOMA), New York. It was at this point that seven of
the architects considered as being contemporary showed their architectural work.
Among the Contemporary architects was Zaha M. Hadid. In this particular exhibition, Zaha M.
Hadid demonstrated architectural work which featured ambiguity and complexity. The early
work of Zaha M. Hadid was characterized by anti-gravity as well as fragmentation which had
been artistic movement in Russia. It was also characterized by suprematism which basically
employed the concept of abstract that employed the concept of pure geometric forms in the
painting forms instead of depicting things as reality portrays them. The concept and techniques
applied by her in the architectural design have formed the basis of modern architecture whose
fruits are celebrated by to date (Prudon 2017).

CHAPATER 2
HADID AND MODERN ARCHITECTURE
Zaha’s architectural woks have attracted media and people and most of them are today used as
the indicators of the strength of the economy of the country. Practically, Hadid superseded her
mentors including El Lissitzky and Malevich by anticipating real buildings in her exploration
graphically. Actually she was the first to boring Suprematism into the spaces which were
considered as being three-dimensional which he effectively placed on the buildable proposition.
Through her, there was spatialization of the Suprematist composition, which was expanded to the
third dimensions. The parts were moved in the formations of abstracts like for the case of the
flow of ice through the entire museum. What graphically appeared as a single object appeared in
the graphical presentation as a field of objects whose movement is enshrined through the
building in existence hence the adaptation was on the circular geometry (Sarrigiannis et al.2018).
There have been elements of hope from the use of computers which have promised to have these
challenges or difficulties alleviated. The truth of the matter is that using natural forms as models
can potentially give rise to structures which are lighter as well as more efficient in regard to the
material use coupled with novelty of style. As a result of the enhanced dialogue between the
architectural and scientific disciplines this encompasses the conic aspect of other improvements
in the weather protection, performance thermally as well as sensory responsiveness. These have
been regarded as the primary factors of study and interesting field for the study in the case of
biomimetic (Alyushin et al.2019). Such kind of the movement was spatial and fluid with the
forms dropping and rising in the entire structure.

In order to make it thematically appropriate for the show under illustrations, the processes of the
installation was also refered as one of the most inspired exercise with the list of attempts being
very long. This was meant to assist in the mediation between the exhibition and the Wright’s
structures. It is important to note that there are very few buildings which can actually fail
retreating into modesty by necessarily standing to the Alps apart from Zaha Hadid lyrical and
dynamic Bergisel Ski Jump in Innsbruck, Austria. This particular structure was completed in the
year 2002 and has boldly confronted the mountains on the surrounding with an equivalent
majesty of architecture. With its location being at the hill top, the structure actually occupies the
sky. The site can actually be described as a silhouette which is free-standing. This implies that air
is Hadid’s element and she constantly engages nature for very comprehensive consolations
(Sebastian and al Qeisi 2018).
Urban areas on the planet as wells as design as a rule have accepted inventive methods of Hadid
for having their way of thinking just as setup communicated considering the progressions which
are going on the planet today. There have been innovative advances in the previous years on
account of the structure. This has stretched out to those materials which are tremendously special
regarding their properties like simplicity of setup, adaptability, versatility, and unbending nature
just as appearance excellence which are expected to be compatible with modern technology as
Zaha suggests. Such sorts of the offices have been found to make dominant part of the planners
to be progressively inventive and imaginative in their exercises of structural design without
fundamentally dreading the difficulties which they may experience in their procedures during the
construction exercise.
It is anyway actualized to make an individual left, quiet and think past." In her announcement,
Hadid included that "Structures ought to significantly affect on the life inside the road and ought

to likewise be able to pull in occupants. Hadid was persuaded by the depiction given by Le
Corbusier on design which expressed that on the utilization of solid, stone and wood,
development of good houses and castles could be accomplished inventiveness at activity. Be that
as it may, for the beneficial thing done to the architects would be worth mentioning. This implies
that there should never be a mistaken concept when reference is made to the modern
architectural work and Zaha topping the list should be embraced as a logical line of thought and
appreciation of the efforts she put in place to change the face of the modern architecture.
THE CONCEPT OF DE-CONSTRUCTIVISM IN ZAHA HADID’S WORK
After modernism and following the rapid technological and scientific developments, great desire
have been developed by architects to present and reflect the exact picture of their work on
buildings. A lot of chaos and uncertainty arose in the mid 90s as identified in works presented by
some architects. First instance of deconstruction was observed in around the year 1917 during
World War I, when an abstract and totally different painting referred to as constructivism was
presented by an artist from Russia by the name Vladimir Tatlin. As per the view of the writer, a
protocol of bringing the war to an end was assigned by Russia at the moment to introduce a
Soviet Union while announcing the end of Tsarist autocracy.

Figure 8: Concept of De-Constructivism in Abu Dhabi
Attempts were made by Russia to recover from damages they encountered. Russia then decided
to launch a vast campaign based on the aim of creating an effective union and setting an
improvised democracy worldwide: revolution in almost all sectors including economy and
science; the radical politics in Russian revolution comprised of the art and architecture to serve
as life reorganizing tools following tsar overthrow. Improvised types of buildings that conforms
the most wanted social organization in the current Communist state were implemented by
constructivist architects.
Many architects around the world have been influenced by this kind of architectural development
in Russia; one being a Zaha Hadid teacher, Rem Koolhaas dealing in Architecture Association in
London. Based on the love of Russian constructivism, he gave this knowledge to his students,
providing them with words of encouragements to copy the properties of architecture by availing
freedom of expression and designing and best teachers were also provided worldwide.

The main aim of de-constructivism was to do away with the logical brought by post modernism
like the historical building imagery. This architecture was in humanism as it involved
fragmentation, extermination and deconstruction. Under the supervision of some great scholars, a
number of architects were invited based on their known style of de-constructivist at MOMA
Exhibition in New York in the year 1998. On their arrival, they came up with the current
architectural movement grounded to liberated and limitless form focusing on reversing the
principles set for modern design. Classification for the architects was on two categories, the one
in which the inspiration by some scholars were from constructivism and others from organic or
concept of modernism The two categories conceived architecture as a sculpture or a creative
image. The other category comprised of the Derridean architects with text philosophical
deconstruction which they latter reflected in their actual work. Realistic and reasonable features
are observed in the first category based on a number of reasons which are discussed in other
sections of this paper.
This architectural style of de-constructivism was observed in the late 70s bearing the features of
mystery, excitement, and comprising of life. Assumptions are made that the London
Architectural Association in which most of the DE constructivist architects obtained their degree
of architecture was as a result of emergence and establishment of de-constructivism. Commonly
known pioneers of the movement include Zaha Hadid whose projects bear the features of
abstraction and fragmentation but the major concept of her project is based on the inner study on
the external inspiration, ideas and language to present the entire world in designing process. The
story on various projects is given by the architecture of Hadid that also provides what is referred
to as the real architecture.

Analysis on the work did by Hadid clearly reveal that the project was to be correctly within de-
constructivism following the major principles under the accepted architecture which it broke,
they are regarded also to be good architectural prototypes that favors human needs based on their
functionalities and a shelter to provide safety and privacy. The statement given by Hadid as
given by one of the scholars is that “it is not my perception that the architectural design only
deals with shelter, or a very simple enclosure as many may think. It is however implemented to
make an individual exited, calm and think beyond.” In her statement, Hadid added that
“Buildings should greatly impact on the life within the street and should also have the ability to
attract residents.” Hadid was convinced by the description given by Le Corbusier on architecture
which stated that “On the use of concrete, stone and wood, construction of good houses and
palaces could be achieved ingenuity at operation. However, for the good thing you have done to
me, there’s a touch on my heart. I submit my excitements and I can quote the beautiful work of
your hands. This qualifies to be the real architecture with a good art combined.”
The work of Zaha Hadid forms a basic background for both the theoretical and actual
architectural work. Many were attracted to the style which they later spread to the whole world.
Following the announced motivations on her initial endeavors, a lot is discussed with great focus
regarding the definition as well as the foundation of principles set by Suprematism, an art
movement founded in the year 1915 by a Russian artist Kazimir Malevich, on which abstract
geometrical is preferred as a method of painting. It links to the spiritual purity thoughts and
independence. It however proves hard to determine the specific representation displayed by this
method of painting as the technique tends to display the inward state of the artist or designer in
an abstract manner totally different to the apparently known design.The work of Hadid

exhibition, abstract painting was presented in Museum of Modern Art where Zaha managed to
give inner thoughts concerning the radical as well as the fluid spaces.
As Gestalt Theory gives it in the writing of Generation of Abstract Geometric Art Based on
Exact Aesthetics, the roots of the movement are likely to be identified in Expressionism the latest
core of modernist art movement. The imminent picture of expression in painting was observed in
the first movement referred to as the Expressionism. It was abstract instead of the commonly
known classical samples that convey the actual things. Significantly, the abstract nature in the
emerging trends of art became more impressive on impressionism, Suprematism, Futurism and
Cubism. Malevich shifted to Suprematism establishment from the initial futurist artist, which
according to him bears no roots in Futurism as well as in Cubism. The work of Malevich was
mainly on research making it pure and uncontaminated (Prudon 2017.).
Investigation on the work did by Hadid obviously uncover that the task was to be effectively
inside de-constructivism following the significant standards under the acknowledged design
which it broke, they are respected additionally to be acceptable engineering models that favors
human needs dependent on their functionalities and a safe house to give wellbeing and
protection. The announcement given by Hadid as given by one of the researchers is that "it isn't
my observation that the structural plan just arrangements with cover, or a straightforward walled
in area the same number of may think.
While exploiting the concept of Gravity and Ground in the modern architecture, she has
categorically stated that the idea of ground has been restricted to the architecture of the modern
times (Prudon 2017). There will be production of the same architecture for a specific period.
This was in line with the technique of Suprematism. In this approach, masses were emanating

from rebelling gravity which was deep emanating. Such masses were tilted in complex geometry
including being tilted in a diagonal manner. This was the simplest way of defying gravity as for
the case of Pierre Vives, Montpellier, France.
Figure 8b: Pierre Vives, Montpellier, France (2012)
CHAPETER 2
First Case study
Vitra Fire Station form in Germany.
Abstraction and Fragmentation

Despite the fact that Zaha drew inspiration from some of the previous proponents of artistic
abstraction, the displayed independent intelligence and her own restlessness defined her path of
the research which later on became ferociously inventive and inquisitive. The occasions for the
research were basically provided by the competition. The concepts of fragmentation and
abstraction have been considered as the most interesting techniques which were used by Zaha in
the production of the deconstructive projects as well as spaces of creativity. Zaha made a
discovery on the on abstraction as a research principle which was helpful in the creation as well
as discovery of the innovative dimensional spaces. This was supported by the hard work of
investigation. This was done besides the technique being that of the unbounded invention
(LADD 2018).
A breakdown of the normal way in which things are perceived has always been regarded as the
abstraction. This implies that the usual line of thought is ignored completely and a new approach
of handling the situation is adopted. An abstract way of painting is similar to having it portrayed
in volumes as well as shapes of geometry and to try having its manipulation through the concept
of aggregation or overlapping. Breaking the rules of the known illustrative architecture is
commonly refered to the fragmentation.
The consequence of fragmentations is the production of the same architecture like for the case of
the industrial mass production. She illustratively explains the technique using a phrase of
breaking the block and creating a porous through it. The creation of the organizational pattern is
regarded as the basis of laying down new geometry. The application of the principle of the
abstraction particularly in the case of tye suprematism is known to be responsible for imbuing
architecture by the features of the deconstruction (Racana 2018). This leads to the generation of
the unique print in the case of the Hadid’s architecture. The concept of abstraction was learnt by

Hadid from the canvases of the suprematist Kazimir Malevich. Her mentor used the concept of
geometrical forms and abstraction in the presentation of his paintings. Others include
Fragmented form of Zollhof 3 Media park in bundles found in Germany
Figure 9: Fragmented form of Zollhof 3 Media park in bundles found inGermany (Çalışkan
2017).
According to Hadid, there was a vision of trajectory of lines which was offered by this concept.
She attests that her work has been the eagerness of following the trajectory lines. This goes
alongside the imagination of the same line undergoing changes and distortion in any particular
project particularly during its movement in the case of shadow and light areas. There was
application of the concept of fragmentation and abstraction by Hadid in various ways to assist in
the generation of forms and spaces. The most outstanding case study would be that of depicting
the act processes as a notion form for the projects embodying a phenomenal occurrence. This
was the case for Vitra Fire station in Germany of the year 1994.

Figure 10: Vitra Fire Station form in Germany (Elgohary 2018)
According to the project of Vitra Fire station in Germany, there was generation of the
confirmation through the concepts of the collisions (Tavşan and Akbarzadeh 2018). The collision
basically involved two primary geometries which constituted the area, the factory complex
orientation within the street and the surrounding. This concept was displayed as for the case of
Gmurzynska Gallery, Zurich. Where the concept of interior design was given much attention and
also in the case of Beko-Masterplan in Belgrade, Serbi where there was illustration of the
concept of melting act.
CHAPTER 3
Second Case study

Abu Dhabi Performing Arts : Vanishing-landscaping
It will always bother any concerned person the compatibility of the designs of Zaha with the
environment despite having varying characters both in terms of materials and forms. The reality
is that Hadid did proper and intensive research in relation to the environment and site. This
became the basis of the concept of land scapping (Junaidy and Nagai 2017). The concept of
landscaping implies that the project is dealt with not in isolation but rather done as a
complimentary component of the image of the urban zone. Attempts are effortlessly made to
melt and embed the project within the projected context. This goes alongside consideration of all
the relationships articulated as landscape and topography. Through the processes of the design,
there are attempts by Zaha to have various features derived from the context to the project. The
reverse is retained or vice versa remains to be true (Tavşan and Akbarzadeh 2018). This is done
to ensure that harmonic combination into each other is guaranteed. The concept was actually
borrowed from the landscape, art and architecture of Chinese. In the description of the same
experience, there were indications by Hadid that she potentially admired the great combination
and manipulation between modern techniques demands and the gardens of the Chinese. This
was noted besides the manner in which embedment was achieved traditionally within the great
theatre of landscapes which existed naturally.
It is important to note that the use of this particular concept is likely to affect the general
orientation and form of the erected structure o building. Considering some of the outstanding
projects in the year of early 2000s, it will be noted with a lot of concerns that all the efforts were
directed by Zaha to the generation of the form although a lot of consideration had been lately
given to the projects of landscaping. There was declaration that the early work was meant or had
the objective of building sculpturing which basically shone like the known jewels with the latest

work being working to shape and dissolve a new kind of landscape. This would later be treated
as the complementary part of the cities in the modern parts. There was use of various methods of
landscaping to the projects of Hadid with Vanishing being one of the most common approaches.
According to this particular method, the processes of building landscaping is done in a manner
which is likely to draw the attention as well as sight. This happens gradually to the building from
the site thereby leading to the establishment between the site and the building itself. This implies
that the concept of vanishing will give the project a feature of land born metaphorically. The best
example of this particular concept was the case of the Abu Dhabi Performing Arts Centre, which
is found in UAE.

Figure 11: Surrounding geometries collision which led to the generation of Vitra Fire Station
form in Germany (Thomas 2016)..
From this particular case study, it is evident that the prediction of the design on collision concept
was a greater ideal and a source of force to reckon with (Thomas 2016). Other than the examples
highlighted above, there was a proposal by Zaha according to the collision concept involving
hitting the perimeter walls of a garden within the compound by the use of a blow. The
transmission of the blow was by the thrust of a driveway which is under collision with the house.
This would basically break open the closed rectangular forms. Hypothetically, the drive’s impact
on the house, there would be breaking of parts into various dynamic forms whose propelling

concepts are achieved chaotically into the spaces of the walls. This became the basis of
generation of the vocabulary of the form fragmentations in a syntactic relationship which has
been re-ordered radically.
While in the Aachen, Germany, one very important concept was learned by Hadid. This included
among other things the fading techniques which are used by the Chinese. Through this concept
discovery she learned how painting layers will usually lead into the space infinity. This will
definitely give any architectural student a sense of unexplored boundless freedom and depth.
Another way of achieving the project landscaping is through the design of the building’s
configuration as per the shape of the land like for the case of the multi-functional Regium
Waterfront which is found in Reggio (Jungck et al.2019). Also this has been displayed in the
cases of the urban grids of National Museum of XXI found in Rome. Considering that the
architecture of landscaping is about reduction of human interference on the land so as to keep the
technique’s picture overriding, there was use of one color by Hadid for her project’s exterior
forms. Also the pavement used possess similar colour of their surfaces leading to meeting point
of lines uncertainty. The targeted lines is usually between the site and the building itself.
Another way of landscaping which was exploited by Zaha is wall extension. In this approach,
Hadid basically expanded and folded the building’s walls so that they could lead to the formation
of the pavement of the designed site. This was done a manner which give affiliation sense to the
origin which is basically the earth. This particular concept has been used primarily in the case of
Heydar-Aliyev Culture centre, Azerbaijan as well as Stone Towers in Cairo, Egypt. Just recently
Zaha used the formative lines of the structure in the designing of the site’s landscape. In the
cases where the design of the building uses spiral lines, the design of the landscape will also be
expected to take the same manner such as green zones, pavements, stairs and lakes. This results

into the creation of very strong relationship between the site and the building itself. In other
words it is as if they have been merged to form one picture. This particular concept has been
used in the design and construction of Cairo Expo City in Egypt..
Figure 12: Abu Dhabi Performing Arts : Vanishing-landscaping (Giamarelos 2019)
In a particular house in Hague, there was conception of an interior organized a ramp. This
particular ramp had been spiraled within the required cubic form by the researcher or developer
for that matter. Considering her interest of the architecture of that moment, there was
development of turning form. The twist of this form avoided the Euclidean regularity.
Comparing this particular ramp to the peel of an orange, there was escaping of the fixity of
regular geometries by the architect which basically controls as well as on the space. This form
was therefore responsible for the release of the space and subsequent exert of pressure on the box
outside. This results into the distortion so that there is response from it too leading to the buildup

of pressure on the spiral as well as compressing mechanism. The continuous flow of the spiral
allowed for the mutable flow of the existing arrangements. It is important to note that walls were
never affected. The aim of this particular plan was not present over estimation of the receptive to
change or just interpretation.

CHAPETER 4
Third case study
AbdUllah Art Cultural Center Creative Space found in In Amman,Jordan
Technique of Layering
The technique of layering has been used by Hadid in various case studies. The use of technique
was meant to assist in the creation of voids which were very amazing as well as spaces which
could meet the expectation of Zaha as per the architectural space. The fluid and complex space
has been considered as one of the tasks which had taken much of the attention of Hadid. The
reality of the situation is that utilizing normal structures as models can conceivably offer ascent
to structures which are lighter just as increasingly proficient concerning the material utilize
combined with curiosity of style. Because of the upgraded discourse between the engineering
and logical orders this incorporates the conic part of different enhancements in the climate
security, execution thermally just as tangible responsiveness. These have been viewed as the
essential components of study and intriguing field for the investigation with regards to the
instance of biomimetic. Such sort of the development was spatial and liquid with the structures
dropping and ascending in the whole structure.
As far painting is concerned, layering has been taken to mean application of more as one layers
of color hence the paint is given a greater thickness. The idea behind layering in this particular
study is to handle floors of the structures which have been separated as levels or layers
(Bhooshan 2017). This may go alongside ignorance of the grid of the floors on the lower sections
as well as manipulation of the boarders of the ground floors. It implies that the technique of
layering is meant to manipulate the position of the floors which finally leads to the creation of

the energetic forms through superimposition. Through her, there was spatialization of the
Suprematist creation, which was extended to the third measurements. The parts were moved in
the arrangements of modified works like for the instance of the progression of ice through the
whole exhibition hall.
Figure 13: AbdUllah Art Cultural Center Creative Space found in In Amman,Jordan
What graphically showed up as a solitary article showed up in the graphical introduction as a
field of items whose development is revered through the structure in presence consequently the
adjustment was on the roundabout geometry. There have been components of expectation from
the utilization of PCs which have vowed to have these difficulties or challenges eased. So as to
make it specifically fitting for the show under delineations, the procedures of the establishment
was likewise refered as one of the most enlivened exercise with the rundown of endeavors being
long. This was intended to aid the intercession between the display and the Wright's structures.
This particular technique has been applied in the case of AbdUllah Art Cultural Center. In this
case study, the structure shows a bold manipulation for the floor grounds which has subsequently

led to the generation of the amazing interior fluid foyer. Also there is greater connection between
outside and inside.
The other case studies of Zaha include Glasgow, Scotland which had its construction carried out
on River Clyde. Through this structure there is an access to the Atlantic Ocean and this has
facilitated the activities of trade in the area (Bhooshan 2016). The growth of a shipbuilding
industry is attributed to the establishment of this specific structure. The history of the aspect of
this areas has been under the commemoration in a Transport and Technology Collection which
is currently housed in the structure designed by Zaha Hadid Architects called Riverside Museum
of Transport and Travel .Through the analysis of the techniques of Hadid in regard to the form
generation, it has been assumed that a lot of contradiction defines the uniqueness in her
architectural work. The self-developed techniques by Zaha enabled her to participate and
succeed in the production of the extraordinary works. This was due to the being a combination of
logic and liberation, harmony and strangeness among others.

CHAPETER 5
ANALYSIS AND COMPARISION OF ZAHA HADID’S WORK IN THE SELECTED
CASE STUDIES
Each of the above highlighted case studies has displayed unique concepts which make them
outstanding as far as contribution of Zaha to the modern architecture is concerned. Hadid’s
architecture was until very recently considered to be very marginal, extreme and impracticable.
However, the rolling success of the projects built including the ones highlighted in this literature
has been establishing cumulatively not only for the vision credibility but also in its incontestable
public appeal and power. Her designs were never done down to her clients although the world
seems now to be catching up with her set standards. In very rare cases, has any architect radically
inspired and changed the field. From the very first design that basically earned her attention
internationally, Zaha became a force and galvanic figure. This unique architect has not coast. Her
talent has been in the state of protean, trenchant and intelligence. Just like for the cases of
Hadid’s designs which had been generated on the basis of change, her successes was on the basis
of self-transformation and there was no elements of repetition.
Unlike other cases studies the Abu Dhabi Performing arts there was conception of an interior
organized a ramp. This particular ramp had been spiraled within the required cubic form by the
researcher or developer for that matter. As a result of his habit of defying the rules of conceiving
space as well as pushing boundaries, Hadid became very famous. This implies that she
potentially defied the rules of the architectural convention and designs. There was creation of the
radical rules of the concepts of the design which could be attributed to the admixture of
experiences gained along the long journey of rationalism and design. Hadid has been regarded as

a good observer of design work, art, surrounding aspects and architecture. She demonstrated a lot
of eagerness for the key factors as well as aesthetic sources of attracting people to her work. This
was regarded as the basis of her qualification for the development of her own techniques for the
architectural work. There was design of the unprecedented set of work which was characterized
by a set of creativity and uniqueness.
Also in the case of the Vitra Fire Station Form in Germany, it is evident that the prediction of the
design on collision concept was a greater ideal and a source of force to reckon with.
Comparatively, such kind of the techniques was literally derived from her through the
application of the content analysis on her interviews as well as texts which was carried out by
various parties. In this regard, various case studies have been highlighted in this particular study
in which the techniques that were Hadid’s self-developed in relation to the design work have
been properly exposed and comprehensively discussed. Each and every technique has been
applied to projects besides the sources she had regarded as being potential sources of inspiration.
The references made to the case studies remain significant due to the technique used. In other
words, there was technique employed in each and every case study as far as Hadid architectural
work is concerned (Bergamo 2018).
The above highlighted three case studies and considering all the architectural works of Zaha
some of which have never been implemented beyond the paper limits, she was labeled a paper
architect. In the today’s architectural work, he has been considered as one of the architects who
happened to be prominent in the world with her design being accessed by over 80 projects in at
least 44 countries in the whole world. For example, there has been an institutional declaration of
the Hadid’s work as the most effective architecture globally. Some of the admirers of Hadid’s

work include architects, students as well as designers of fashion and jewelry around the world.
These groups of people have been intrigued by Hadid’s unique designs.

CONCLUSION
From this particular literature work, it seems that the digital technology has the potential to
unleash this dynamic and fluid concept in the domain of architecture. In this regard, the
architecture for this particular work is in the form of life which is subjected to the principles just
like for the case of the natural world. The principles for subjection include those of
morphogenesis, selection and replication. The architectural designs which of late are being
modelled on the processes of natural evolution are practically products of genetic algorithms.
Currently, there has been an increasing interest on the structures or buildings which can
potentially and actively respond to their surroundings or environments. This is another clear
indication of a deeper relevance of the biological similitude to their behaviour and functions
alongside their appearance.
Despite the fact that environment may undergo changes or alterations, buildings have tried to
remain in the places just the same way animals show adaptation to their surroundings over a long
period of time through the processes of evolution. Such structures have also shown specific
capability of responding to different changes on the conditions of the environment. It is
important to note that such kinds of the adaptive responses nave remained to be the main
objectives for those advocating for the emergence of biomimetic field. It is everyone’s hope that
in the future, buildings will be designed in such a manner that they are capable of reacting to the
surrounding environment. Some of the zoologists like for the case of Julian Vincent, biomimetic
can be defined as the abstraction of good design as derived from modern technology. It should be
regarded as the judicious selection of the properties observed as well as their corresponding
development into the complex technologies artificially and not just a slavish imitation of the
modern technology at whatever cost. The architect’s attraction for the biomimetic concept is that

it is responsible for raising the prospects of closer integration of functions and forms in this
particular field. This implies that the concept can be seen as an extension of modernism.
It is evident that Hadid has actually exceeded the present time through the design of architecture
which has been subjected to future imagination. It is architecture characterized by seamlessness,
defying of gravity as well as fluidity. Her high sensation for beauty and art in the case of the
designs has attracted the new generation’s attentions in the field of designs and architect hence
serving as the inspiring model. There was emergence of the new global type of architecture
through her manipulation in the employment of the contradictory techniques and this concept has
been very lovely and friendly to people. Sincerely speaking, through Hadid’s work, there is a
shift to the manner of architectural work convincing worldwide. Most of the architects have been
refered back to their original works and subjecting them to evaluation as to whether they are
meeting the demands of the present era in regard to the fundamental properties.

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