Arts and Entertainment Industries

This paper explores the music industry in the arts and entertainment industries, including the roles of songwriters and recording engineers, and the importance of creativity in the field.

Running head: ARTS AND ENTERTAINMENT INDUSTRIES 1
Arts and Entertainment Industries
Institution
Name

ARTS AND ENTERTAINMENT INDUSTRIES 2
Arts and Entertainment Industries
As stated by the Bureau of Labor Statistics (BLS), by the month of November 2014,
approximately 2.1 million individuals had secured job opportunities in the arts and entertainment
industry. According to BLS, the majority of these individuals in this particular sector are
working as recreation and amusement employees, but others are as well engaged as singers and
musicians, and even as performers and artistes (Thibaud, 2017). Normally, one can categorize
the field of arts and entertainment into two major categories: The first one comprises of live
presentations or occasions, like local and nationwide dramatic presentations. The second one
includes educational exhibits, cultural or historical, which concentrate majorly on the
conservancy and display of natural wonders, historic sites, and objects. Though jobs in the arts
and entertainment industries each have distinctive necessities, many people in the sector portray
comparable abilities, like the capability to be creative, envision, have excellent communication
talents, and demonstrate a desire for the outdoors or culture. These individuals can also like the
flexible programs which can come along with an inventive occupation as well as the aptitude to
stay or operate from diverse locations.
In this particular paper, music industry will be explored in depth. The music industry comprises
of the individuals and companies that make money through composing new pieces and songs and
vending live shows and performances, videos and auditory recordings, sheet and compositions
music, as well as the establishments and associations which help and embody music architects
(Tschmuck, 2012).. Amongst the numerous organizations and individuals which operate in this
particular industry include: the composers and songwriters who come up with new musical and
songs pieces; the conductors, singers, instrumentalists, and bandleaders who perform the

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composition; the establishments and specialists who make and vend recorded song and/or sheet
music (for example, recording studios, engineers, performance rights organizations, music
publishers, record labels, retail and music producers,); and those that aid consolidate and present
live music presentations (music venues, booking agents, promoters, sound engineers and road
crew). The modern Western music industry comprises of both national or local and international
musicians who are categorized on basis of their artistic works, content of their pieces or
messages, and language uses among other criteria. World music, for instance (sometimes
referred to as international music or global music) is a musical classification incorporating
several diverse classes of music from around the world, which comprises various genres
including some kinds of Western music embodied by folk music, plus a number of forms of
cultural music, neotraditional music, aboriginal music, and music in which more than one
national convention, such as traditional music and Western popular music, intermingle
(Wuttipong, 2012).
Music industry involves a unique form of art. It encompasses auditory and lyrical representation
of stories and messages. In this industry one will realize that all artistic works involve mottled
constructions of rhythm, instrumental collaboration, and words (Hracs, Jakob, & Hauge, 2013).
Music gives addressees with understanding of personal experiences and also in-depth
elucidations of the world around us. No song composition is similar and musical aptitude is
shown in various forms. Predispositions for music can be exhibited in saxophone, guitar, voice,
composition, and written lyrics, and so much more. Besides, music is a major source of
entertainment (Dhar, & Chang, 2009). In actual fact, in both antique and contemporary periods,
music has been taken as an important constituent of celebrations, such as cultural events and
weddings and. Fascinatingly; scientific investigation on music as well as the brain has revealed

ARTS AND ENTERTAINMENT INDUSTRIES 4
that all music genres has more benefits than entertainment alone. In regards to Nielsen’s third
yearly Music 360 report on purchaser tastes and behaviors, music is the topmost kind of
entertainment for the majority in the US (Flynn, Craig, Anderson, & Holody, 2016).
Music industry often has various creative roles such as composer/songwriter,
musician/performance artist, record engineers and music therapist among others (Stam, & Scott,
2014). Out of these roles, songwriter and recording engineer are the roles which impress me
most. A songwriter is an expert salaried to transcribe words for musicians and tunes for records,
characteristically for a popular music type such as country music or rock. Sometimes a
songwriter can as well be referred to as a composer, even though the latter word tends to be
applied primarily for people from the classical music category (Biddle, 2013). The stress from
the music industry to create popular songs implies that songwriting is usually a role for which the
responsibilities are disseminated amongst several individuals. Recording Engineers, on the other
hand, give the sound of an album a shape (Bielmeier, 2013). These professionals mix, edit,
record, and mix artistic sounds through their selection of, setting levels, sound manipulation
skills, and microphones. In numerous music workshops, the Recording Engineer functions as the
Producer, supervising both arty and technical essentials of the recording period. Songwriting and
record engineering roles fascinatingly align with my personal goals and interests. Undoubtedly,
in the course of my program, I have developed essential qualities of a songwriter. Various
qualities such as ability to partner well with lyrics and chord progressions looked for in an
efficient songwriter are adequately portrayed in my traits as an inspiring composer. In addition,
the program has developed my skills and competence into a better sound engineering
professional. My personal interests and attributes such as the passion to work on other people’s
projects, capability to converse with my seniors with ease, and to network with others have

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aligned me suitably in my career path as a record engineer. I believe that through my individual
likes and passions I will secure occupations in these particular roles in the music industry.
Songwriting and record engineering roles have unlimited potentials. The traditional-style
apprenticeship tactic to learning how to write artistic works especially songs is being
complemented by college diplomas and college degrees “commonly referred to as rock schools”.
The music industry is developing tremendously and as such songwriters also need to enhance
their skills, experience, and general knowledge. Understanding of contemporary music know-
how (computer sound editing, sequencers, and synthesizers,), songwriting rudiments and
business abilities are now often essential necessities for a songwriter (Marshall, 2013, October).
With time, this role will emerge the most paying role in the music industry and great growth
prospective is foreseeable. In addition, the diverse changes in the music industry are also
unlocking potential for record engineer role. Every day, every session, every gig, record
engineers are striving harder to gain the best from their audial signal processing gadgets. As
times moves by, professionals holding this role are working tirelessly to compete sonically. For
instance, they are being required to thoroughly master the forthcoming and new devices in order
to record, mix, and edit music content will ease while in the studio. It is not enough for
songwriters and record engineers to simply know what they are specifically expected to know
because change potentials are inevitable.
Creativity is highly required by all occupants of various roles in the music industry (Horning,
2004). Margaret Boden, an Intellectual psychologist defines creativity as “the capacity to
develop new ideologies or things that are novel, amazing and valued. In the music industry, it is
easy to make something innovative - the work requires only being non-plagiaristic of present

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works. Nevertheless bewilderment and significance cannot be present without addressees;
rationally speaking, one may argue that song without a hearer is like a dropping tree in a bare
forest. It thus follows that a ‘creative’ music program should surpass scholars’ self-expression
and take part in listener- consequential philosophies of creative value. Traditionally, popular
songwriting was an extremely guarded art genre, and too much nonconformity from ethnic
standards can avert the track from being communicated completely. But addressees also need
novelty- that is, fundamentals which are attractively dissimilar from other tracks. The majority of
tracks come composed in two phases and the first one is the creation stage when the original
stimulus takes grip; and the editing, when the songwriters identifies the decent material, cut the
bad ones off, and attempt to develop the stuff someplace in between. The first stage, creation
concerns majorly with scripting all that comes obtainable, without sifting or second-guessing
oneself. The editing phase is more sensible and realistic, as one uses his or her dexterity and any
tools at our disposal to make the song as thrilling as possible. Audio engineers or record
engineers work on the "...methodological feature of recording—the setting of levels, placing of
microphones, and pre-amp knobs. It is a creative leisure pursuit and occupation wherein melodic
gadgets and know-how are applied to generate sound for video games, film, television, radio, and
music. Audio engineers, furthermore group, sound check and conduct live sound blending using
an intermingling mollify and a sound consolidation pattern for music presentations, theatre,
sports games and corporate events. Our current program is tailored for everybody who intends to
occupy both or any these roles. The course has provided everybody with personalized career
strategy and action plan.

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References
Biddle, I. (2013). “e Singsong of Undead Labor”: Gender Nostalgia and the Vocal Fantasy of
Intimacy in the “New” Male Singer/Songwriter. In Oh Boy! (pp. 133-152). Routledge.
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survey of new recording engineers’ perceived skill sets and those observed by their
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music sales. Journal of Interactive Marketing, 23(4), 300-307.
Flynn, M. A., Craig, C. M., Anderson, C. N., & Holody, K. J. (2016). Objectification in popular
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Horning, S. S. (2004). Recording: The Search for the Sound. The Electric Guitar: A History ofan
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Marshall, B. (2013, October). Music Consumption Behavior of Generation Y and the
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