Aspect of Screen Production in Australia: Lack of Government Subsidy

This essay explores the detrimental impact of the lack of government subsidy on the aspect of screen production in Australia. It discusses the challenges faced by the industry and the need for proper government funding to compete with global production industries.

PRODUCING ASSESSMENT

Table of Content
 Introduction
 An Essay on aspect of screen production in Australia: Lack of
Government Subsidy
 Conclusion
 References

Introduction
 A term “Screen” refers to the chronicle and creative
information’s or contents displayed through screen platforms
whereas the overall process of forming and telling those
narrations is known as screen production. The generous arts
and programs that explore the technologies of film, media,
aesthetics, and history implanted by the practical experience
of movie and media making is termed as screen production
(Batty and Kerrigan, 2018).

An Essay on aspect of screen production in
Australia: Lack of Government Subsidy
 Over 100 years Screen production industries in Australia are engaging audiences. Australian
screen production industries are working under challenging and rapidly growing environment.
 Lack of direct government funding is one of the detrimental issues that affect the aspect of
screen production in Australia. Therefore, screen production industries are looking for Proper
government funding.
 As the central government denies for direct funding to Australia’s screen production the
filmmakers are being unable to make proper narratives to compete with globally evolving
production industries (Burns and Eltham, 2010).

An Essay on aspect of screen production in
Australia: Lack of Government Subsidy
 Though government focuses on the selection procedures and a combination of endowments and
investments in screen production but enough financing for the industries are not provided (Brooks,
2017).
 Due to lack of financing from government, Screen production of Australia has been asking for fund
from the state government for making creative content, recruiting cast, marketing and so forth.
 Dezuanni and Miles, (2017) states that, developing advanced skills and old-style scenarios for
creating stories of cinema is encouraged by the screen production.

An Essay on aspect of screen production in
Australia: Lack of Government Subsidy
 Support of government in production industries help on demand, supply and consumer.
 Though the independent screen industries in Australia are significant many individual companies are
facing narrow marginal profits.
 Particular small industries or companies are struggling to be remaining profitable, competing with
others.
 Hence, government can play vital role in benefitting and uplifting those struggling small scale
industries to continue to create Australian content.
 Till now, production industries are getting fund from various sources.

Conclusion
Australians are involved in screen content over 100 years. Screen industries have greater challenge in
competing on international market. Changing perspective of viewership is affecting the funding of
screen productions. It is found that screen production supports substantial economy activities in
Australia. Despite of having, the large industry size, most of the production business is struggling to be
fit in international stage with growing competition

References
 Batty, C. and Kerrigan, S., 2018. Screen Production Research. Creative Practice as a Mode of
Enquiry, Cham.
 Batty, C., Berry, M. and Frankham, B., 2018. Exploring a new era of screen production
research: laying foundations for engagement and impact. Studies in Australasian Cinema,
12(2-3), pp.162- 178.
 Brooks, J., 2017. Gender Matters: Gender Policy and the Rewriting of the Mother–Daughter
Narrative in Contemporary Australian Women’s Filmmaking. In Australian Screen in the
2000s (pp. 143-164). Palgrave Macmillan, Cham.
 Burns, A. and Eltham, B., 2010. Boom and Bust in Australian Screen Policy: 10BA, the Film
Finance Corporation and Hollywood's ‘Race to the Bottom’. Media International Australia,
136(1), pp.103-118.

Thank You