Prospective Outcoming Film of Steven Spielberg
Added on 2023-06-06
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Running head: PROSPECTIVE OUTCOMING FILM OF STEVEN SPIELBERG
PROSPECTIVE OUTCOMING FILM OF STEVEN SPIELBERG
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PROSPECTIVE OUTCOMING FILM OF STEVEN SPIELBERG
Name of the Student:
Name of the University:
Author Note:
1PROSPECTIVE OUTCOMING FILM OF STEVEN SPIELBERG
Bordering largely upon George Orwell’s famous dystopian novel Nineteen Eighty
Four, the upcoming film attempts to integrate societies, both modern as well as that of the
past, when people have suffered from perpetual war and oppression of propagandist
governmental regimes (Kulsum-Binder and Crompton 2017). Although there are many issues
and incidents which are presented in tandem with Orwell’s novel, the context is a unique
admixture of the world politics of the contemporary times as well as that of during the
Second World War, presented from the perspective of the sufferers.
The name of the film is yet to be finalized. The crux of the story involves a series of
interactions among two individuals who happens to come across each other by a twist of fate.
One of them is a an old man, who is a survivor of the Second World War, while another
being a Syrian teenager girl who has survived the recent attacks of the Russian bomber
planes. Through the accounts of their personal experiences they discover that over the ages
the broader contexts of war has remained the same, with only subtle changes in the nuances.
Both realize the failure of humanity, in general, to establish peace for a sustained period of
time. The elderly man, largely based on an aged version of Winston from Orwell’s Nineteen
Eighty Four initially disregards the Syrian girl. But as she starts to starts to recount her
stories, he not only starts to empathize with her, but also could relate many of her experiences
to his own, and discovers that in spite of her little age, she is no less experienced about the
realities of life than him. Both discover that the socio-political scenario was more or less the
same.
The film unifies the position of the Jews with those of the innocent people who were
killed in Syria. The also mocks the hypocrisy of other nations, who would witness the
situation and sympathize with the victims without taking any actions against the inhuman
behaviours for a considerable period of time. With a universal appeal it mock humans as a
social being, through a short satiric episode of a group people coming to know about the
Bordering largely upon George Orwell’s famous dystopian novel Nineteen Eighty
Four, the upcoming film attempts to integrate societies, both modern as well as that of the
past, when people have suffered from perpetual war and oppression of propagandist
governmental regimes (Kulsum-Binder and Crompton 2017). Although there are many issues
and incidents which are presented in tandem with Orwell’s novel, the context is a unique
admixture of the world politics of the contemporary times as well as that of during the
Second World War, presented from the perspective of the sufferers.
The name of the film is yet to be finalized. The crux of the story involves a series of
interactions among two individuals who happens to come across each other by a twist of fate.
One of them is a an old man, who is a survivor of the Second World War, while another
being a Syrian teenager girl who has survived the recent attacks of the Russian bomber
planes. Through the accounts of their personal experiences they discover that over the ages
the broader contexts of war has remained the same, with only subtle changes in the nuances.
Both realize the failure of humanity, in general, to establish peace for a sustained period of
time. The elderly man, largely based on an aged version of Winston from Orwell’s Nineteen
Eighty Four initially disregards the Syrian girl. But as she starts to starts to recount her
stories, he not only starts to empathize with her, but also could relate many of her experiences
to his own, and discovers that in spite of her little age, she is no less experienced about the
realities of life than him. Both discover that the socio-political scenario was more or less the
same.
The film unifies the position of the Jews with those of the innocent people who were
killed in Syria. The also mocks the hypocrisy of other nations, who would witness the
situation and sympathize with the victims without taking any actions against the inhuman
behaviours for a considerable period of time. With a universal appeal it mock humans as a
social being, through a short satiric episode of a group people coming to know about the
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