Aboriginal Art & Australian Society

This assignment delves into the profound impact of Aboriginal art on Australian society. It examines the art's ability to express diverse cultural perspectives, historical experiences, and contemporary social issues. The analysis considers how Aboriginal art functions as a powerful medium for communication, healing, and promoting understanding between Indigenous and non-Indigenous Australians. Furthermore, it explores the challenges and triumphs faced by Aboriginal artists in navigating a complex art market and advocating for recognition of their artistic voices.

Running head: AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
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1AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
The essay discusses the reflection of identity in the artworks of the aboriginal artists.
The indigenous art of Australia records the collaboration and representation of the struggle of
people to sustain their identity throughout the Australian history. Australian aboriginal art
includes works in wide range of media starting from leaves, rock carvings wood carvings,
sand painting, ceremonial clothing and sculpting (Nilson et al. 2015). These modern
aboriginal artworks date back to the post-colonial era but the actual connection between the
identity of the indigenous people and the Australian art has been formed over thousands of
years. Since then, the aboriginal artists have been considering the media of visual art as a
dominant tool to reflect their identity in the contemporary society (Lindeman et al. 2017).
In this modern era, representing art places huge credence on the concept of
individualism. The artists are identifying numerous situations or subjects to convey their
unique culture which is interrelated with their personal selves. The aboriginal artists are not
exceptional where they are pushed to distil various social, political and psychological
changes affecting their ethnicity and convey these factors in their own creation (Heckenberg
2017). Aboriginal artists like Dorothy Napangardi and Judy Watson frequently create their
artworks which reflect their own cultural experiences. In most of the cases these are related to
the events taken place in the society after the intervention of the western culture. From the
artworks of these artists implicitly reflect the concept of cultural hegemony. In response to
these cultural dominances the aboriginal artists have sought to create their distinctive
identifies in art where they have given voice to their people and culture (Smith et al. 2015).
In one of the most prominent art galleries of Australia namely the Queensland Gallery
arranges exhibitions associated with aboriginal art and culture. These examine the identity of
the Indigenous Australians, present their opinions on politics, history, personal experiences as
well as their connections to their native land (Lathouras et al 2017). The aboriginal artworks
minutely address those things that are quite common and people think that they know those

2AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
things but actually they will find a new perspective or view looking through a different pair
of eyes.
In the contemporary Australian aboriginal artworks, one can easily find the various
aspects of indigenous history as well as expressions. This includes their nativity combined
with newfound identities as well as their intervention with the international cultures (Caruana
2015). Over the past three decades these are the perspectives dominating the Australian
aboriginal art. For this reason, there has been a wide acceptance of the indigenous artworks.
This is due to fact that their artworks represent their aboriginal ancestral traditions and the
core identity which can never be found elsewhere than Australia. These are paired with the
explicit exploration of the vitality of native people in the history of Australia and expressed
through the photographs, sculptures, illustrations and painting of the artists with aboriginal
background.
Beside these, the attitudes that the artworks of the contemporary or the traditional
artists reveal, are the reflection of the colonial encounters. It was the most important factor
which gave birth of the issue of identity crisis in the minds of the indigenous individuals. The
treatment that they had received from these outsiders actually affected the psychology of the
native Australians. The pathetic attempt to incorporate the natives into the white society was
actually the chief manipulative factor to the growing issue of existence. Identity is one of the
profound notion in the aboriginal art which is not only based on the process of finding one’s
own place in the society completely but also expressing the voice of the present and past
circumstances. The present artworks reveal these voices of the artists and create situations
where others convey their experiences through telling stories of their concurrent lives.
The basic theme of the Australian aboriginal arts is the connection of the aboriginal
culture and their impact on their land with which most of the Australians can connect. It has

3AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
been proved to be the crucial approach to disclose their past histories and their history
combines with their religious beliefs and cultural frameworks. The traditional aboriginal art
always bears a mythological undertone which is not very far from the identity of the native
people of Australia. Many of the works by the contemporary as well as traditional aboriginal
artists, reflect their styles of worship and totem representation. None of the traditional
paintings are devoid of the spiritual meaning. Not only in the painting, but all forms of art
works by the indigenous Australians echo their core message that they belong to the people,
all the people.
The artworks of Judy Watson represent her aboriginal background exceptionally. One
can easily find the excess of aboriginal symbols in her every work. Her series Blood language
she reflects the life of dispossessed native Australians with whom she shares her family
history as well as heritage. The paintings of Judy Watson are intense yet sublime in their
physicality. Blood language is a beautifully illustrated pictorial exploration of her aboriginal
identity. The list of themes include water, skin, dust, poison ochre, bones, blood and driftnet
which indicate the wide array of natural as well as cultural practices of the aboriginal people
(Fisher and Laura 2016).
The intensity and the subjects of her choice clearly exposes the traces of her
aboriginal background, isolation, existential threats and politics. Her works denote aboriginal
struggle due to the cultural domination of the substantially powerful culture over their
existence. Through her artworks Judy expresses her strong indigenous identity promoting the
eternal concept of political relation between the natives and the white Australians. In her
painting namely Memory Bones, published in 2007, is one of the major visually stimulating
piece of art. It has detailed both her personal as well as cross cultural perspectives under
theme of lost identity.

4AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
It is her personal experiences that act as the touchstone of all her works and transform
them as unique yet sophisticated by allowing the audiences to immerse. As mentioned before,
the identity of the aboriginal Australians largely revolves round their history of struggle. Judy
Watson in her paintings has justly represented the tragic treatment of the natives in the local
community prisons. The atrocious events of the indigenous history are embodied through the
red blood stain on her canvas. Maltreatment and miscomprehension by the whites to the
Aborigines have become the core subject of many other aboriginal artists.
The message that these artists wanted to convey through their works have been
successfully touched the heart of the audience irrespective of aboriginal or other Australians.
These artworks are basically reflection of the perspectives of the black Australians which
provides vision into the imperceptible connection of land with the spirit of the natives, their
history as well as identity (Fisher, Laura, and Gay 2016). The multiculturalism is one of the
major factors which is constantly being questioned in the works of these contemporary artists.
This have contributed in her current social discourse in addition to her strong knowledge,
opinion and attitude (Day 2014).
These issues can also be seen in the works of Dorothy Napangardi who was one of the
3000 Warlpiri tribes. Her minimal schooling helped her experiencing the historic dream of
the aborigines in her land (Kubota 2016). The earliest works of Dorothy identify
the colourful floral patterns that depicted the growth of the flowers only found in her
lands. All her works appeared to be semi-naturalistic in their depictions. The mythical
elements in the aboriginal artworks mentioned before can be found abundantly in the works
of this particular artist. Her works represent the origins and journey of her ancestral histories
for centuries.

5AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
Dorothy Napangardi is renowned for the representation of the life of women in her
community. Their dance postures, their digging sticks all are detailed in her works (Sloggett
2015). These paintings of Dorothy evoke a complex narrative that denotes the women
dancing and moving in their long journeys. Beside this, her Karntakurlangu Jukurrpa which
means inland sea, is a prominent subject to deal with. She depicts nature from an aboriginal
perspective which bears no similarity with that of the white Australian. The painting prove
that her tribe possess the insight and power to see the nature that nobody can imitate and after
domination also, it is impossible to snatch their identity (Murphy 2016). Karlangu, the
digging sticks is inseparable from the identity of her community as it is the cultural icon that
she presents in her paintings. Yuparli the bush banana can be seen to have trivial connotation
but it presents the artist’s desire to listen to the nature. In the Women’s Dreaming, Dorothy
recollects the idea of sustenance and balancing the lifestyle as a Warlpiri. The way she has
expressed herself, a nuanced conception of identity in contrast to the modern world, has never
reached the international stage so imperatively as well as deeply.
The concept of identity is implicit in the works of the aboriginal artists as they
differentiated their cultures as well as social bonding contrasting the civilised white world
(Fisher 2016). These are recognised to be unique as well as separate because to them, they
possess the nature including all the flora fauna growing in their world which are so valuable
to stand out of the reach of knowledge or learning process of the artificial world of
technology. Hence these are inimitable. It is the place where the core difference between their
world lies. Paradoxically, the capability to identify one’s own self through the contemporary
artwork is difficult but these artists have successfully guided his audience to see the world
from different viewpoints (Cheshire, Barbara and Ryan 2016). These artworks of the
aboriginal artists have proved to be instrumental in providing the platform from where the
audience can understand as well as transcend the limitations among various cultures.

6AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
Therefore, it can be concluded that the identity crisis of the aboriginals that prevails in
their minds, is appropriately conveyed through the artworks of eminent aboriginal writers.
The paintings of the aboriginal artists have successfully created very idiosyncratic identities
of the Australian aborigines. These arts are true representatives of their native culture which
give the dominated people a voice to proclaim their existence. To state more particularly, the
issue of identity of the aboriginal people in Australia, is being challenged through the
contemporary art. This allows the audiences to see at the history of the land with an altered
perspective where there is clear interrelation between the dominants and the dominated. The
ideology where the whites are uprooting the aboriginal self from the indigenous, these
paintings are clear protest advocating the unimportance of modern western culture to be
followed to sustain. These paintings also encourage the audience to re-consider their own
lives as well as attitudes, thus creating change in the land that bring all the Australians
together.

7AUSTRALIAN ABORIGINAL ART AND INDIGENOUS IDENTITY
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