Suffering and Renewal in N. Scott Momaday's House Made of Dawn

SUFFERING AND RENEWAL
“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”
The above quoted lines from T.S. Eliot’s famous poem “Little Gidding” in a succinct
manner highlight the central theme of N. Scott Momaday’s famous novel “House Made of
Dawn”. The concerned novel is unique in its regard because of the fact that whereas the other
earlier novels or literary works focused on highlighting the suffering or the pain of the
individuals in an immanent world this novel shows the manner in which suffering or pain can
lead to renewal (Bryant). More importantly, the novel also in a succinct manner highlights the
different facets of the indigenous culture or for that matter their way of life and the need to
stick to one’s root despite the changes that they have experienced in their lives (Sabatelli). N.
Scott Momaday’s novel “House Made of Dawn” through the character growth of Abel shows
that suffering or pain can lead to renewal or for that matter give meaning to the life of an
individual as well. This essay intends to undertake a critical analysis of N. Scott Momaday’s
novel “House Made of Dawn” in the particular context of the idea that ‘suffering can lead to
renewal”.
N. Scott Momaday’s novel “House Made of Dawn” (1968) is a semi-
autobiographical novel which is based on the life of the novelist Momaday himself and the
different incidents that he faced while growing up in Jemez Pueblo, USA (Cox). More
importantly, the novel under discussion here is often considered to be one of the finest
literary works related to the genre of American Native Literature and contributed
substantially to popularise the same (Kaiser). In the light of this aspect and also the

SUFFERING AND RENEWAL2
contribution made by the novel towards the genre of American Literature, the concerned
novel was awarded the “Pulitzer Prize for Fiction” in the year 1969 (Roemer). In this regard,
it needs to be said that two of the most important themes of the work under discussion here
are suffering and renewal and the indigenous or the native way of life or its cultural traditions
which the contemporary native people of America are losing touch with in the present times.
Furthermore, a close analysis of the novel reveals the fact that the novelist takes the help of
the character growth or development of the protagonist, Abel and the incidents or the events
which he had to face to attain the same for the effective portrayal of the above mentioned
themes.
Abel at the beginning of the novel under discussion here is being shown as a reckless
kind of person who is unable to come to terms or for that matter accept the reality of his life.
Furthermore, in order to escape from his surrounding environment and also the pain or
suffering which had been inflicted on him by the same he resorts to heavy drinking (Johnson
and Vizenor). In addition to these, it is seen that so as to vent his anger or frustration or gain a
semblance of reality in his life he picks up fights with different people, which in turn leads
him into trouble at different points of the novels. In this regard, it can be said that he is a
prototype version of the Biblical Cain although his name suggests otherwise (Hogue). As a
matter of fact, in one of his letters Momaday speaking about the protagonist of the novel
under discussion here says “Abel is a composite of the boys I knew at Jemez. I wanted to say
something about them. An appalling number of them are dead; they died young, and they
died violent deaths.....They're a sad lot of people” (Momaday).
One of the most important lines of the novel which in a succinct manner capture the
feelings of Abel, the protagonist of the novel is “He wondered what his sorrow was and could
not remember” (Momaday). For example, Abel is described in the novel as a suffering
character who feels completely detached from the world which he inhabits and his suffering

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is aggravated even further because of the fact that he is unable to fully embrace the way of
life of the people of the mainland of America. The lines of Matthew Arnold’s poem “Stanzas
from the Grande Chartreuse”, “Wandering between two worlds, one dead, /The other
powerless to be born” highlights the pain or the suffering of Abel in an adequate manner
(Perkin). More importantly, the lack of support or acceptance which he gets from the native
or the Indian community of the nation under discussion here because of the lifestyle which he
leads is another important factor that adds on to the suffering of Abel. For example, it is seen
that he is being insulted by Juan Reyes whom he kills in a brawl, Reverend John Big Bluff
Tosamah makes fun of him and his ‘longhair’, he is being thrown out of his own apartment
by his friend Ben and others (Bryant). These incidents are not only a source of pain or
suffering for Abel but at the same time aggravate the feeling of alienation or isolation even
more in him. This gets manifested in various lines of the novel like “There was only the dark
infinity in which nothing was....it was older than the silence and the silence was made of it”
and others (Momaday).
Language is another important construct which serves as a cause of the suffering or
pain or for that matter the alienation that Abel feels in the society in which he dwells (Miller).
For example, the novel in an implicit manner hints at the idea that the native people of
America in order to get accepted within the societal framework of America needed to
embrace the language as well as the gestures of the settlers however Abel fails to do so. This
becomes apparent from the line “They have assumed the names and gestures of their
enemies...there is a resistance and an overcoming, a long outwaiting” (Momaday). However,
at the same time it needs to be said that the pain or the suffering which Abel feels through the
course of the entire novel not only leads to renewal but the growth of his character. As a
matter of fact, it is seen that after the death of his grandfather is being able to come to full
terms with the native culture or the way of life which in turn substantially reduces the