Giotto's Painting on The Lamentation: Exploring Historical Artwork

Surname
Social research
Name
Institution
Professor
Part 1: Identification
The paper explains the work of Giotto di Bondone. The artist had different styles of using art to explain
various phenomena. Giotto was born in Florence, Italy in 1266. He is well known as the pioneer in the
art world, having described the Renaissance art movement a long time ago (Pettersson, 112). Giotto
used to decorate chapels and churches. One of the traditional art made by the artist was The
Lamentation artwork which marked the history of death and rise of Christ. The Lamentation of Christ
is regarded as one of the most magnificent paintings designed by Giotto by 1350. The pictures mark the
history of Western Art and the entire genre explained by the artwork is biblical art. Different reports
indicate how Fresco mural painting serves as the medium throughout the artwork. Giotto di Bondone
used the style of painting to explain the ideas he learned from his master Cimude (Davies et al., 45).
The depiction of Giotto's paintings shows how Jesus body was removed from the cross after family
members mourned for a long time. The artist marks the biblical figures by use of different pictures
which revealed various impacts. Therefore, the entire paper will describe the historical work explained
by Giotto's painting on The Lamentation.
Part 2: Summary
According to the Sistine Chapel, it is quite an important part of history. Its interior design is
incorporated with fresco paintings by artist Giotto marking an event that anticipated the era of

Surname
renaissance in work paintings. The event has been featured in most forums as a subject deemed as the
most impressive and moving paintings in the entire chapel.
Typically, depictions of the lamentation event traditionally indicate Jesus body being mourned by
various friends and family members just after being removed from the cross (Graham,88). According to
the viewable iconography of this particular vent, various biblical figures are identified through marks
from the prevailing halos.immediately after the 11th century period; this particular event had started
showing the scene with Mary together with Jesus at the center of the anticipated drama.
It is evident that the artist does not deviate from the reality since he provides the artistic figures
according to the reality of the event and also the participants.
Part 3: Identification of Visual Elements
The section shows the three visual elements supporting the work of Giotto in The Lamentation. Some
of the visual aspects explained in the artwork are; the concept of the line, the issue idea of color and
space.
Different authors explain that the compositional style used by the Giotto in his work is the idea of
color. The method is unique, and that's why authors call it almost a blasphemous during his time. The
color reveals the religious concept displayed through the Lamentation. The artist gave authentic color
to subjects such as hair, faces, and also clothes. He has used different colors to convey various
emotions experienced by human beings (Lin, I-Lung Ho & Hsiu-Che Wang, 45).
On another hand, the artist used different lines. He used horizontal lines and diagonal lines, which were
in the form of heavenly beams. All these lines draw attention to people on death and the rise of Jesus
Christ. The use of downward left line diagonal line in Lamentation shows how John the Baptist throws
his arms up and back due to despair.
Also, the use of space supports the work of Giotto. It is clear that Giotto made excellent use of space.
Through his practice primarily on paintings of the Lamentation, Giotto planned carefully to maximize