THEME OF THE MATRIX AND NEO AS A MESSIAH FIGURE

Running Head: THEME OF THE MATRIX AND NEO AS A MESSIAH FIGURE
Theme of The Matrix and Neo as a Messiah figure
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THEME OF THE MATRIX AND NEO AS A MESSIAH FIGURE1
Theme of Freedom
"Theme" is presumably one of the most misjudged words utilized in screenwriting. In
truth, "subject" can mean a few things. We won't attempt to cover each utilization of "topic"
here, however we will concentrate on one definition: "a subject or question investigated from
various perspectives (Veenhoven, 2014)." Along these lines, one method for making a topic
is to (1) acquaint a theme or question with be investigated; (2) investigate it from various
points; and (3) in the event that you wish, arrive at a resolution about what view is the
predominant one. The subject can be investigated through the eyes of one character, or
through the eyes of many. In the movie "The Matrix," the subject is opportunity. The inquiry
posed by the essayists, Larry and Andy Wachowski, is: "Is opportunity conceivable?
(Veenhoven, 2014)."
On one side of the argument, a contention is made over and again that opportunity is
unimaginable. The Matrix, all things considered, is the vanishing of all opportunity (Freeman,
2014). As Morpheus (Laurence Fishburne) says when describing to Neo (Keanu Reeves) the
historical backdrop of the earth. The Oracle (Gloria Foster), despite the fact that attempting to
free humanity, really doesn't trust in opportunity. She predicts individuals' destinies, and
destiny, all things considered, is something contrary to opportunity. In spite of the fact that
her exchange is diverse in the content than it is in the film, in both, she conclusively reveals
to Neo that he can't "One" (Freeman, 2014).
Obviously, totally negating this, the Oracle tells Trinity (Carrie-Anne Moss) that she
will go gaga for the One, and Trinity in certainty falls in adoration with Neo (Freeman,
2014). This expectation working out as expected is another "evidence" that destiny is
genuine, and thusly opportunity isn't.

THEME OF THE MATRIX AND NEO AS A MESSIAH FIGURE2
So the essayists are unquestionably playing with our heads. Also, to tell us this, they
even have the Oracle bother Neo. She cautions him about a jar, and after he thumps it over,
she grins and reveals to him that he'll be bound to ponder whether he tipped it since he was
destined to do as such, as she anticipated, or on the off chance that he is a free being
nevertheless her expectation concentrated on the mishap and hence incited it. The film closes
with a monologue by Neo which isn't in the April 8, 1996 content, however which repeats the
essayists' last message, routed to the insight behind the Matrix (Freeman, 2014). In Neo's
words, "I know you’re out there. I can feel you now. I know that you’re afraid. You’re afraid
of us. You’re afraid of change. I don’t know the future. I didn’t come here to tell you how
this going to end. I came here to tell you how it’s going to begin. I’m going to hang up this
phone, and I’m going to show these people what you don’t want them to see. I’m going to
show them a world without you. A world without rules and controls, without borders or
boundaries. A world where anything is possible." (Freeman, 2014).
Neo as a Messiah figure
The Matrix is definitely not the first movie to use the figure of Christ for enriching the
plot with the help of abundant references in the form of actions, dialogues, and various visual
symbols. In spite of the fact that the messianic similitudes add significance to the story, they
are not typically a fundamental piece of the plot (Stucky, 2016). As a rule, the illustrations
hypothetically contained the possibility of being removed from the film as well as the plot-
hence, albeit would be reduced and then work in some way or another. In The Matrix set of
three, be that as it may, the Christ figure theme goes past shallow plot upgrades. It frames the
essential centre of the story. The messianic development noticed in Neo (mindfulness as well
as force) along with the possibility of bringing in not only harmony, but also salvation for the