Use of Literary Devices in The Cask of Amontillado

Running head: USE OF LITERARY DEVICES IN THE CASK OF AMONTILLADO
Use of Literary Devices in The Cask of Amontillado
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Author Note

USE OF LITERARY DEVICES IN THE CASK OF AMONTILLADO1
The Cask of Amontillado is a short story which was written by American short story
writer and poet Edgar Allan Poe. The story takes the reader to an unknown city in Italy at a
time when there was a carnival in town and the story tells the readers about the protagonist of
the story and how he exacts his revenge on one of his friend who he believes had insulted him
at an earlier time. A common thing that the readers find in this story with some of the other
stories of Poe is the fact that it is written from the perspective of the murderer himself just
like those stories by the author himself.
The purpose of this essay is to describe how a literary device had been used in
the story The Cask of Amontillado by Edgar Allan Poe.
In the short story named “The Cask of Amontillado” by the author Edgar Allan Poe,
the readers find that a numbe4r of literary devices had been used in the story by the author
himself. Out of all the devices in the story itself, the most important literary device that the
readers can find is irony and how the literary device had been used by the author throughout
the story itself. The instances of irony in the story itself comes to the attention of the readers
more than once.
This is because it is the irony itself which drives the story of The Cask of Amontillado
forward. The author, in the story itself had made use of the irony in various forms itself.
These forms of irony includes the situational ironies as well as the verbal ironies that the
readers can find throughout the short stories which were written by Poe himself.
The verbal Irony is referred to when there is an irony in the verbal exchange between
the two characters, similarly situational irony is the irony which occurs according to certain
situations in the market itself (Cooper, 2016).
Thus, it can be situational irony is the most important form of irony that the reader
will come across in then story many times. These includes the name of the character, who

USE OF LITERARY DEVICES IN THE CASK OF AMONTILLADO2
was the friend of the protagonist. Although, his name turns out to be Fortunato, the author
proves in the story itself that just because somebody has the word “fortunate” in his name
does not really mean that that person is really fortunate. As stated by Poe (2013), this is
evidenced in the story by the ultimate fate which befalls Fortunato as he is left to die after
being walled up by the protagonist whose name is presented as Montresor.
There is another example of situational irony in the story itself because the readers
find that the protagonist of the story named Montresor telling the servants that they should
not be awake until he comes back home as he would not be back until the next morning. As
soon as the reader reads this piece of information, they get the idea that something in the
story is not quite right (Cooper, 2015).
The fact that the readers are true are revealed to them when it is shockingly revealed
to the readers in the society that Montresor had used the concept of reverse psychology wen
he had brought his friend Fortunato to his home, as he had made sure that the servants are not
around when he exacts his revenge on his friend.
This is an example of the situational irony in the story because the absence of the
servants in the story would mean that the protagonist of the story would be able to exact his
revenge on his friend without anybody knowing about his deeds. As stated by Cooper (2016),
therefore, there are no chances of his getting caught after committing a crime.
Just like situational irony, the use of verbal irony has also played an important role in
the story written by the author Edgar Allan Poe. The verbal irony in the story is explained
through the verbal exchanges that the characters have in the story which includes the
protagonist Montresor and his friend Fortunato.
Verbal irony is evidenced by the author in the story in the instances when the
protagonist asks his friend Fortunato, after chaining him up, whether he would like to return