English 3: Analysis of Shakespeare's Hamlet Play - University

This essay provides an analysis of William Shakespeare's play, Hamlet. It explores the play's enduring influence, comparing it to the modern world and highlighting its impact on various fields. The essay delves into the themes of revenge, morality, and the consequences of actions, referencing critical perspectives and historical contexts. It examines the characters' motivations, the tragedy depicted, and the relevance of the play's themes in contemporary society, including the impact of the internet and media. The analysis incorporates various sources to support its arguments and provide a comprehensive understanding of Hamlet's complexities and significance.

university
Hamlet
Play by Shakespeare
Student Credentials
3/28/2020

English 1
Hamlet Analysis
Hamlet is a play written by none other than William Shakespeare. Despite the evolution of
time, relationships, emotions, development as a whole has took place since the time it was
written, when compared with the modern world, not much has really changed from what has
been portrayed in the play. This play is one of the most influential and most impactful plays
ever written. Almost all of the major Ivy League schools have held drama sessions over this
iconic play. This play has all the abilities to influence a person and has all the aspects a play
needs to have in order to influence the public, such as, the occasions or the moments that are
perused, distributed, delivered, and talked about. Plays by Shakespeare always have
something to look forward to and makes the audience wonder about the rescripted characters,
proclivities, convictions, and practices - is, whenever paid attention to, both energizing and
vexing (Eliot). Distinctive characters like Lyndon Johnson, Richard Nixon, and William
Randolph Hearst have in like manner have been time to time portrayed as people with
"Dimensions like Shakespeare" or "Shakespearean proportions." Nor is it just national or
global news that current situations make the Shakespeare level: a feature in the Daily
Telegraph of London pronounced that "setting up a youngsters' gathering can be a
dramatization of Shakespearean extents." Whenever something out of the box or courageous
has been depicted or stated, in a situation, it has been compared with the Shakespearian view.
Media has used Shakespeare as a standard to represent greatness or huge impact on
something (Greenblatt).
The tragedy depicted in this play, at this point, lies in the manners in which that we are once
in a while requested to expect jobs that will demolish us as good creatures. It is a basic
propensity to identify enormity as a result of Hamlet's vengeance. However in the event that
we look all the more completely at the reprisal that entangles the youthful sovereign, there is

English 2
little proof to recommend Hamlet's mindfulness compensates for the way that his retribution
devalues the lives of others. The play may introduce those others as moderately unimportant.
In any case, when people are recruited into incorporating the significance concerning life of a
person over the other, people should interrupt to inspect (O'ROURKE).
Hamlet has a moral lack, as in, the author here calls people to see the youthful sovereign's
loss of good bearing. Undoubtedly, the best possible reaction to the idea of the play is
incorporated inside the content of the play: when the Fortinbras experiences the horrifying
scene of death that has been portrayed, and the befuddled response outfits a moral model:
“This quarry cries on havoc. O proud death, / What feast is toward in thine eternal cell / That
thou so many princes at a shot / So bloodily has struck!” (5.2.308-311). That people have
been observer to the acceleration of viciousness that prompts this awful scene should alert us
to go to all the more cautiously to minutes when what appeared basic, even clear, retaliation
may turn out to be progressively confounded, traded off, or even ruined (American Life).
In the event that we think something like the occasions Hamlet sensationalizes would never
transpire (wherein the apparition of one's killed father requests retribution)— well, it is quite
fine that we are most likely right about that in the points of interest. Be that as it may, people
are regularly called upon with an intention not to mind when several lives are in somewhat
manner rendered dispensable, as well as there are a lot of occurrences in our advanced reality
where what at first appears as though direct reprisal turns crazy (Ryan, Hamlet and Revenge).
For the last mentioned, one need just think about the act of Internet disgracing, the absolute
most prominent instances of which have turned into a web sensation through online life.
Considerably after some time passes, people may faintly recall the well -known name, Justine
Sacco, or the "supremacist AIDS joke-/South Africa-lady," as many people called her, or
Lindsey Stone, or "the Tomb of the Unknown Soldier-discourteous motion lady," as known
as she is, to a portion of her online adversaries. Jon Ronson is chronicling these cases, which

English 3
appear to be new for their capacity to decrease an individual to a solitary online trespass. We
may concur with web writer Archibald Perkins, who qualified her reaction for Ronson's New
York Times include, "I Don't Feel Sorry for Stupid White People on the Internet,"; all things
considered, to regard these lives as though they don't make a difference, in spite of, or even
because of, their exposed, bobbling silliness, is to restage the collectivizing dismiss that
Hamlet develops to pardon his demonstration of rash savagery against Polonius (Ryan,
Hamlet and revenge).
The "content of present day life" nowadays is inserted in a system of content informing,
Internet associations, video clasps, and document sharing. Shakespeare in our way of life is
as of now spread, dissipated, appropriated, some portion of the social language, high and low.
A notice for tough outside sorts promoted a deal: "Presently Is the Winter of Our Discount
Tents." This turned out additionally to be the name of a stone arrangement by the name
Twisted Nerve. Simultaneously, in London, the White Cube Gallery introduced a
presentation of work by British craftsman Neal Tait, titled "Now Is the Discount of Our
Winter Tents." Manifestly, none of these changed or reversed expressions would offer much
in the method for mind or bid if the social shopper didn't perceive, or half perceive, the
expression on which each is based: the initial monologue of Richard III, in which the jealous
and hopeful Gloucester watches, in a great of two sided connotation enjambment, that "Now
is the winter of our discontent/Made heavenly summer by this child of York". So we may
state that Shakespeare is now presenting day as well as postmodern: a simulacrum, a replica,
a montage, a bricole. An assortment of discovered articles, repurposed as craftsmanship.

English 4
Bibliography
American Life. Act V. 2002. 28 March 2020 <https://www.thisamericanlife.org/218/act-v>.
Eliot, T.S. Hamlet and His Problems. 2015. 28 March 2020
<https://www.bartleby.com/200/sw9.html>.
Greenblatt, Stephen. Shakespeare's "Hamlet," its historical context, and what makes it
arguably the greatest tragedy ever written. 2011. 28 March 2020
<https://charlierose.com/videos/14068>.
O'ROURKE, MEGHAN. Hamlet’s Not Depressed. He’s Grieving. 2009. 28 March 2020
<https://slate.com/human-interest/2009/03/the-long-goodbye-hamlets-not-depressed-
hes-grieving-1.html>.
Ryan, Kiernan. Hamlet and revenge. 2016. 28 March 2020
<https://www.bl.uk/shakespeare/articles/hamlet-and-revenge>.
—. Hamlet and Revenge. The British Library, 2016.