Analysis of Artworks in Exhibition: Course Name, University Name

This report analyzes an art exhibition, focusing on how the context of other artworks influences the understanding of a specific piece. The student explores the ideas reflected in the artwork's portrayal, emphasizing the artist's creative process and the societal impacts reflected in the art. The report examines the ethical considerations in presenting historical artifacts and the representation of indigenous cultures, referencing Emily Carr's and Adrian Stimson's works. The analysis also includes Ms. Belmore's "Fountain" and "Mixed Blessing," highlighting the diverse modes of representation and the modern problems portrayed in the exhibition. The report considers the impact of the interpretative approach and individual thoughts on understanding the artworks, referencing course materials to support the analysis of the exhibition's impact.

UNDERSTANDING OF ARTWORKS IN EXHIBITION
Name of the Student
Name of the University
Author’s Note

The ideas that are reflected while creating an artwork is always a very important factors
that needs to be processed in a certain manner so that the ideas get reflected in the portrayal of
the artwork. This takes place as the ideas appear to be accumulating in the mind of the artist. The
artist is taken to be the most creative. Thus the creative art works needs to be produced to portray
the gradual thinking that the outcome of the various factors that affect the society and also leaves
a deep impact on the mind as well. The meaning of the an artwork gets assigned to it as the
author perceives it and the idea that has been incorporate due to the establishment of the creative
artwork. The interpretation of the artwork is an important factor that involves the development of
the ideas according to the individual propagation of thoughts to other regarding the variability of
understandings of certain matter. Therefore the impact of the interpretative approach of an
individual is a vital facts for the development of the ideas regarding the association of thoughts
and developing of the approach of the individuals encountering the notions.
The issue that has been reflected in the article is that Canadian Museum is facing. There
are certain areas regarding which is handled by the effects of the visitors in the Museum. There
have been several cases that the identity of the factors regarding the paintings that are collected
and presented in the gallery. But there has been unethical means by which the historical artifacts
or the artworks are not presented in a proper manner and are made to stand for or signify certain
stereotypes regarding the belief, origin and style of the origin and the background of the artifacts
or the artworks.
The indigenous culture that has been identified and made under the variety of thoughts
and tells the story of several ideas and facts. The indigenous culture and the efforts and the
identity of the politics in the paintings is an important matter. Thus, the identity of the politics in
the museum world has reached the utmost and the flash point regarding the variety of the cultural

institutions that as discriminated according to the variety of racial and cultural insensitivity.
There are a various paintings that has been analyzed, Emily Carr’s renamed “Church in Yuquot
Village” (background, center) and “Old Sun,” (foreground), a sculpture by Adrian Stimson, a
member of Siksika First Nation, at the Art Gallery of Ontario. “Elevator Court,” (right) is by
Lawren S. Harris; “Pritchard’s Fence” (left) is by Lionel LeMoine Fitzgerald, well-known
Canadian artists. Ms. Belmore’s “Fountain,” 2005, in the show “Facing the Monumental.” Onto
a screen of falling water, a video is projected in which the artist throws what appears to be a
bucket of blood toward the viewer. Ms. Belmore said “Mixed Blessing,” 2011, featuring a
crouched, hooded figure with synthetic hair, represented the contradictions of her identity as an
artist and “Indian.”
Thus the ideas and the style of representation of the ideas is a vital factor that has been
highlighted in the museums provide a diverse mode of representation of ideas. The method of the
representation of the ideas and facts can be noticed. There have been various notions based on
which the notions are reflected. The artifacts and the artworks portray the modern problems in
the society that has left a deep impact in analyzing the variable state of representation of the
impact of the indigenous notion of livelihood. The exhibition has been a portrayal of the
approach of living for the indigenous people.

Ms. Belmore’s “Fountain,” 2005, in the show “Facing the Monumental.” Onto a screen of
falling water, a video is projected in which the artist throws what appears to be a bucket of
blood toward the viewer.

Ms. Belmore said “Mixed Blessing,” 2011, featuring a crouched, hooded figure with
synthetic hair, represented the contradictions of her identity as an artist and “Indian.”

“American History (JB),” 2015, by Jeffrey Gibson, a Mississippi Band Choctaw/Cherokee,
at the Denver Art Museum

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