This essay examines Australian Modernist artists' reactions against 19th-century artistic traditions and their responses to the social, cultural, and political context of the inter-war period. It discusses how artists like Gordon Bennett, Grace Cossington Smith, Dorrit Black, and Roy de Maistre used their art to challenge established norms, address post-colonial experiences, and explore new forms of expression. The essay highlights specific artworks, such as Bennett's critique of racial stereotypes, Cossington Smith's symbol of Australian capability, and De Maistre's exploration of color and music, to illustrate the diverse strategies employed by these artists. The essay concludes that Modernist artists sought to revolutionize art by rejecting outdated forms and prompting audiences to question their preconceptions. Desklib provides solved assignments for students.