A Comparative Essay on Imagery in The Fox and Goodbye, Columbus

This essay provides a comparative analysis of the imagery employed in D.H. Lawrence's "The Fox" and Philip Roth's "Goodbye, Columbus." The essay focuses on the common thread of imagery, particularly the use of metaphors, to explore themes of gender dynamics, female desire, and the power dynamics between men and women. The author examines how the characters and symbolic elements, such as the fox and the glasses, contribute to the development of these themes. The essay also highlights the authors' techniques in building suspense and creating a sense of control and manipulation, as well as the impact of these images on the reader's understanding of the narratives. The essay uses the provided works cited to support its analysis, and offers a detailed examination of how imagery functions in the texts to convey the intended messages and themes.

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The important pattern of imagery common to The Fox and Goodbye Columbus
The important pattern of imagery common to The Fox and goodbye Columbus is a
metaphor. Female aspiration and desire for men in an animalistic manner is the common theme
in two narrations. In Goodbye Columbus by Philip Roth, the first line shows us the vision held
by Neil in his hand. Glasses are images representing Neil point of view (Roth 78). In particular,
Brenda’s vision is his point of view. He tells the story from the past aspect meaning he was her
ex-boyfriend. It is through the imagery that makes him more biased when it comes to certain
issues regarding the narrator point of view. This brings the theme of women issues since we are
able to see exploit of Neil bias by Roth from Brenda’s point of view. The Brenda’s glasses are
insecurity symbol for Neil and they result to Brenda control (Lawrence 65). The glasses aim at
making sure that Brenda does not get away from him. It is through imagery that Brenda is all
aware of what is happening as seen in the final blow. She shows her character especially when
she designs a sexy game for hides and seeks. The game is aimed at making him realize and see
that she loves him. The statement he makes on if he knew he would have carried out her glasses
so that she could wait for him back home shows a secret regret. It is a clear image that he wanted
Brenda to depend on him in everything. He wishes that Brenda will need him all the time and
keep him around. In the same way, Brenda is making all efforts to make sure that she draws his
attention. In this case, the glasses are images that develop the theme in the Goodbye, Columbus.

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In The Fox by D. H. Lawrence, gender politics and female desire for men brings about
the image of the entire narration. It is through a female character that develops the image of The
Fox. The narration is based on the pernicious influence of men on innocent women. The image
of the fox is literally represented by cleverness with other intentions (Rudnytsky and Peter 42).
The title is just a mischievous animal but in a real sense, it represents a young man entering the
life of a woman. In this story, Henry is related to the Fox. He is very clever and uses his wit to
get into the lives of women and destruct their ways. March dies due to the actions of Henry. The
common imagery here is a metaphor by which the fox represents for men. The character of
Henry is beyond the story as he manipulates the women in respect to his living (France 89. In
this case, the images develop the theme of danger as one submits to the will of another as seen in
The Fox and Goodbye Columbus. Fox represents the domination of men to the life of the women
as well as glasses in Goodbye; Columbus represents the connectivity between the attention of
men and women. The images develop the theme by building formal unity and increasing
suspense as seen in elements of Roth.

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Works cited
France, Alan W. "Philip Roth's Goodbye, Columbus and the Limits of Commodity
Culture." Melus 15.4 (1988): 83-89.
Lawrence Harris, Janice Hubbard. The Short Fiction of DH Lawrence. Rutgers Univ Pr, 1984:
14-78
Roth, Philip. Goodbye, Columbus. DEBOLS! LLO, 2013: 45-78
Rudnytsky, Peter L. "" Goodbye, Columbus:" Roth's Portrait of the Narcissist as a Young
Man." Twentieth Century Literature51.1 (2005): 25-42.