Essay on Intersectionality: Gender, Race, and Violence Analysis

This essay provides a comprehensive analysis of various writings, focusing on themes of gender, race, and violence. It examines patriarchal societal structures and the socialization of gender roles, particularly in the context of women's experiences. The essay also delves into the concept of 'horrorism' as a representation of violence against vulnerable individuals, often based on race and gender. Furthermore, it explores the struggles of Afro-Brazilian women against racial and gender segregation, highlighting their efforts to achieve full citizenship and combat discrimination. Finally, the essay discusses the complexities of belonging to a specific race, gender, and place, addressing issues of sexism and racism within communities. Desklib offers this essay as a resource for students studying sociology, literature, and related fields, providing insights and analysis to aid in their academic pursuits. The platform also hosts a wide array of past papers and solved assignments.

Running head: HUMANITIES AND SOCIAL SCIENCES 1
Analysis of Various Writings
Student’s name
Institution’s name
Date

HUMANITIES AND SOCIAL SCIENCES 2
And the one doesn’t stir without the other
The main authors, Lucy Irigaray and Hellen Vivienne have put the emphasize on
patriarchal society. For instance, the speaker tells of how she ended up doing all what her
mother used to do and even more. Basically, women in society are supposed to do all work in the
house. This involves cooking, washing and taking care of children. Clearly, mothers teach their
daughters these responsibilities as they grow up. Like the speaker say at the beginning of writing,
“With your milk, mother, I swallowed ice, and here I am now, my inside frozen. And I walk with
even more difficult than you do, and I even move even less” (Lucy, stanza 2). Furthermore, these
authors have employed theme of socialization of gender roles. Specifically, women gender roles
that are passed from one generation to another through socialization process. This has been
depicted in the speaker’s argument of how she had to play the roles played by her mother. These
roles have forced her to play that part because it seems she has no other choice. She says, “The
day dawns, I’m hungry, I wish I had the energy to walk. To run all by myself, near or far from
you. To go toward what I love” (Hellene, stanza 6). In this concept, the authors have portrayed
how women in the patriarchal society wish to have freedom to move out of that comfort zone
and be able to do other things outside their homes. However, this seems to be unachievable.
In front of me the pot and rice pot and burning flames
Ishigaki Rin is the author in the poem and has used it to illustrate the nature of gender roles.
He explains how gender roles haven’t changed since ancient history. He bases this on the concept
that, women have been the ones cooking even in the past time. The speaker in the poem has
emphasized this adage, “There have been for ages objects placed in front of us women” (Stanza 1,
line 1-3). Additionally, she says that, “in front of the glow from the fire that we have inherited from

HUMANITIES AND SOCIAL SCIENCES 3
the beginning of history, we're always our mothers and grandmothers and mothers also" (Stanza 2,
line 5-8). In this case, the author is explaining that these gender roles have always been and will
always be because they have been passed from generation to generation. Furthermore, in the poetry,
theme of feminism has been employed. It has been portrayed whereby the speaker says that these
roles have made them lag behind in education and politics. In other words, women need their rights
to education and politics to be taken into consideration. Saying, “Because of this, learning and
worldly status may lag behind” “just like we cook meat and potatoes with a deep love let us study
politics and economics and literature” (Stanza 7-8). Women, in this case, want to have other
experiences apart from cooking like everyone else in society. Precisely, giving women other
opportunities will be of advantage on top of being caregivers.
Horrorism
In this book, Adriana Canavero captures an experience of violence which she portrays
through horrorism. She further expounds this basing on the fact that violence is not considered in
warrior’s perspective rather in the victim. Horrorism, in this case, has been located in literary,
philosophical, artistic and political representations of vulnerable victims who are defenseless.
Moreover, in order to apply horrorism in current phenomena such as hyper-technological warfare,
tortures and suicide bombers she employs erotization of horror. As a result, her work has proven that
violating of helpless individuals has existed even in the ancient times. Additionally, she holds that
this has not only been a case in western tradition but also in various places where common language
is absent. All in all, the book has depicted a theme of violence to vulnerable individuals or groups.
This is on the basis of race and gender whereby the black people and women compose the vulnerable
group in this case. Clearly, from the book, people who were caught up in violence were women who
had black hair. "I saw the head of a girl with long black hair in the middle of the street" (Adriana,
p6). The women, in this case, are disadvantaged because of both their gender and race which entail

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characteristics in which discrimination is based on. As a result, the victims end up with fear such that
others even lapse. Moreover, there are those choose to escape for their safety hence abandoning their
traditional roles such as their roles as caregivers.
Negras in Brazil
This book by Kia Lilly Caldwell is an examination of Afro- Brazilian women’s life
experiences through analyzing links between gender and race in processes of political, economic and
social exclusion. Her information has been based on ethnographic research and interviews whereby
she researched on social movement organizations and interviewed various women. She illustrates
how Women in Brazil have been struggling in everyday life to achieve full citizenship by ensuring
that their rights are not discriminated. Regina says, “It was very hard for my generation to not only
accept ourselves as black but also to attempt to create a space because we did not have a model”
(Caldwell, p6). The models are being developed now.” As a result, women ended up coming up
with a movement for black women so as to solve the problem of race and gender discrimination.
Moreover, they have had identity politics for those who belong to communities that are racially
marginalized. Therefore, the book has led to new insights concerning black women's gendered
perspective and social activism. The most important theme in this book is racial and gender
segregation whereby black women have been discriminated against everything. They have been
termed as poor black women such that even on televisions soap operas they are given the minor role
either as the employer’s lover or the thief for instance. It is of no doubt that this negativity has not
only discouraged some of them but also forced others to conform to the situation so as to survive.
Where your people from a girl? belonging to a race, gender and place beneath clouds
This article by Rosalyn Diprose argues about the necessity and impossibility that belongs to
specific place, race, and gender. The author has captured Australian landscape and urban-rural

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division that is for politics of race in contemporary Australia. First and foremost, the question in the
topic has been viewed as either racist or sexist to identify one on basis of family, race, and gender.
This kind of belonging has created a belief of transformation and engendering sociopolitical. This is
because the people who belong to the same community should share same place, gender, and race.
Thus, such a community is said to have the harm of sexism and racism which results to political
denial. In that case, this book has been based on the theme of race, gender, and place which indicates
that every individual or a group sharing a culture must have a place to belong to, same gender and
race at the same time. Therefore, these define their behavior. In that, they are identified through the
traits for people to who they really are. However, those who belong to the same community and still
ask their community members about their race, gender and place seem to have sexism and racism.
These have been found to lead to disunity in the community because they are the ones who
categorize themselves as powerful and hence see no point of being associated with their original
culture.

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References
Cavarero, A. (2009). Horrorism: Naming contemporary violence (Vol. 14). Columbia University
Press.
Caldwell, K. (2009). Negras in Brazil: Re-envisioning black women, citizenship, and the politics
of identity. Rutgers University Press.
Diprose, R. (2009). “Where ‘your people from, girl?”: Belonging to Race, Gender, and Place
beneath Clouds. Differences, 19(3), 28-58.
(Friederich, Lee. (2009). Through Beastly Tears: Devouring the Dead in the Poetry of Ishigaki Rin.
Japanese Language and Literature, 43, 37-8.)
Ishigaki, Rin. Trans. Yukie Ohta & Rie Takagi. (1995). Five Poems. Positions: East Asia Cultures
Critique, 3(3), 723-7.
Irigaray, L. (2017). And the one doesn’t stir without the other. Feminist Social Thought: A
Reader, 321.
Irigaray, L., & Wenzel, H. V.2013). And the one doesn't stir without the other. Signs: Journal of
Women in Culture and Society, 7(1), 60-67.
Kennedy, T. L., & Johnston, G. W. (2015). Surgery of violence. 1. Civilian bomb injuries.
British Medical Journal, 1(5954), 382.
Wenzel, H. V. (2011). Introduction to Lucy Irigaray's" And the One Doesn't Stir without the
Other". Signs: Journal of women in culture and society, 7(1), 56-59.

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Winant, H. (2009). Becoming a Mulher Negra. Negras in Brazil: Re-envisioning Black Women,
Citizenship, and the Politics of Identity, 107.